A Quote by Jubin Nautiyal

My bigger game plan was always to be the top artist in the heart of people and that probably made me artist of the year on multiple music streaming platforms. — © Jubin Nautiyal
My bigger game plan was always to be the top artist in the heart of people and that probably made me artist of the year on multiple music streaming platforms.
Music lives in cycles. One day, one type of music is on top and the next year another genre is on top. Either the fans love you or they jump from one artist to another.
I feel my job as an artist is to drive people to country radio. That's my job as a country artist. So these streaming places, especially these on-demand streaming places, where you can just push a button and hear it as many times as you want, like YouTube, any of that stuff, that's taking all the ears away from country radio.
There was never really a Plan B for me - I always wanted to be a music artist.
Sometime during the mid-50s I said, 'I am an artist.' Before that, for many years, I had said, 'I'm going to be an artist.' Then I went through a change of mind and a change of heart. What made 'going to be an artist' into 'being an artist', was, in part, a spiritual change.
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.
As a young artist working in multiple mediums, the work and especially the writings of artist Laszlo Moholy-Nagy were very important to me.
I have multiple friends on other teams who after a game, they'll tell me the game plan... part of the game plan is to stop you. It's a respect factor.
The idea of a talent that was bigger than an artist's ability to choose to use it, that would dictate the artist's life more than the artist could dictate, was interesting to me.
There's this weird game called 'Blueberry Garden.' For that game an artist recorded some piano music, but evidently he only had a really terrible microphone on top of the piano, and I really liked it and wanted to experiment with that. So, I made piano recording and really mangled it, and kept experimenting with the technique.
I always wanted to be an acclaimed artist and to be at the top of my game.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
I have a master plan as an artist. I've always said I'm not going to be punching nobody's clock. I will work as an artist to survive in this world.
Always feeling secondary and just being a voice rather than known as the song writer and artist... it's been a challenge to even get music videos of most of the features I'm on, so I'm pleased people are starting to recognise me as an artist in my own right.
Obviously, something like ballet, you have music, you dance with the music and it's a very direct connection. With visual art, when there's no music that accompanies the art, such as great masterworks in a museum, you wind up interpreting what the artist is doing, how the artist made that work and what they're conveying.
I was involved in Occupy Wall Street as a participant and poster artist. 'Shell Game' is an attempt to do something bigger, to use whatever artistic powers I have to explore the excitements and betrayals of that year.
I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free.
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