A Quote by Jubin Nautiyal

Mithoon is a composer who really likes to work a lot on his songs. He is like a small kid in the studio. — © Jubin Nautiyal
Mithoon is a composer who really likes to work a lot on his songs. He is like a small kid in the studio.
Every music composer has his or her own distinct style. If I listen to any song by - say Mithoon or AR Rahman - I'll instantly know it's been composed by them.
There might be two or three songs I'm trying out. I've been singing these songs (on the new album) in the studio, but I haven't really done them live. It's intimate to sing them in a studio. Now, I've got to be on a stage and be in front of a lot of people.
In many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio; we build the songs that way.
I've got a lot of songs about having fun and partying, but it's a lot of work. Sometimes, I make 50 songs and pick out the best 10. I've been in the studio all day, all night, making the beat, writing the raps.
In a way, the highest praise you could give to a composer like Bach was to take and make your own arrangement; it was sort of an homage to that composer and to his work, so it wasn't considered sacrilegious to do something like that.
I think it would be different to work with a guy like Kanye West or Jay-Z, those guys are so phenomenal, but just to work with a rapper, I don't think is really my thing. I really like songs, like true songs. Like indie songs.
I write in the studio, I don't sit around with a piano or a guitar and write songs. I get satisfaction out of that because I can finish the song really quickly. I can use whatever momentum I have. I've got to put it down, develop it, and get it as far [as I can], because the excitement of the moment of when you get that idea - you want to try and hold it and build on it and really gain strength from it. Being in the studio and writing songs like that is really the best way.
I'm not like a professional writer with professional skills. Songs kind of come into my head the same way they did when I was a kid. I say I'm an overgrown kindergarten kid. I work on songs.
I love being in the studio. It's really great. I like it a lot. But of course, I like performing more. But when I'm in the studio mode, it's cool. I like to really focus on it.
I wanted to try to make songs that worked as songs, not just as productions. People wanted me to do a solo acoustic session, they were like "Can you play song on the piano?" and I was like "Not really. It doesn't really work." I wanted to write songs that would work in a variation of instrumentation.
I worked with Mourinho and I became his friend as well. He likes me a lot and I like him a lot as a coach and as a person. He has put his trust in me and in my work, and I was very grateful to him.
If I do a play, it's my vision, and everybody else is working on the production to support that. If I do an opera, I feel like part of my job is to support that composer, to try and create something that allows the composer to do his or her best work. In movies, it's usually the director.
I'm very flattered when people I respect like my work. It's like a dream of a little kid when somebody I idolised likes my work.
There is a part of me that likes things that are epic, that's why I think a lot of my songs go to these soundscapes that are cinematic, because I really like the epic storytelling.
Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
I work hard at that, but the fact that there are a lot of good songs means there are also a lot of really bad songs I've written that you never hear.
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