A Quote by Jubin Nautiyal
The songs that I do for films are close to my heart.
Related Quotes
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
I didn't start out thinking that I could ever make films. I started out being a film lover, loving films, and wanting to have a job that put me close to them and close to filmmakers and close to film sets.
I love deeply, and when it comes to singing love songs and something that I have no problem doing, I put all of my heart and soul into these love songs. I know my fans out there are listening, taking these songs to heart. Like I say, they're relating these songs to their lives, too, and their relationships.
Kannada films are my way of reconnecting with Karnataka, which is close to my heart.
Films I did initially, like 'Arth' and 'Saransh' are really close to my heart.
Not all the songs are real events, but I do write about stuff that is close to my heart and it comes out one way or another.
I want to be a woman who lives totally abandoned to the first commandment: to love my Lord, my God, with all my heart. I don't want the reputation that I love God, I don't want to write songs about loving God, I don't want to talk about loving God. I want to actually love God. When I close my eyes, I want my heart to move. When I close my eyes and I look at Him, I want to feel alive on the inside. I want to look at Him with a fire in my heart and it's real.
The songs of 'Border' and 'Refugee' were from my heart. Everything that is patriotic comes from the heart. If these songs come out time and again, that shows how much I love the country.
The just is close to the people's heart, but the merciful is close to the heart of God.
People think that I'm not interested in doing Marathi films, but that's not true. Marathi cinema is very close to my heart.
The films that I've made with my company Irish DreamTime are close to my heart. 'The Greatest' being one of them, and 'Evelyn' being another.
In movies, the composers and decision makers are different, so we don't come across classical songs often in films due to lack of interest. The decision makers are non-musical people, so one doesn't get to hear more classical songs in films.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.
I feel a composer should not crave to sing songs because songs itself decides its voice. The films where I have given music, I have kept my option for the last. I like to make music and not necessarily singing all the songs.
I always thought songs are movies for the ears and films are like songs for the eyes.
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