A Quote by Jubin Nautiyal
I believe that looking at the sunset or the city's landscape helps me think.
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Getting into a space suit and going outside, to me, getting your peripheral vision involved and looking at the Earth was a whole different experience than looking through the window. And it's kind of the same on earth. If you're driving in a car and you see like a beautiful sunset or landscape, it looks so much better if you stop and get out and kind of take it all in and that's kind of what it's like doing a spacewalk.
Nothing can really prepare you for live TV because you never know what's going to happen. I think, for me, what really helps is I know what I'm looking for when I'm shooting things, so it definitely helps to have that eye and know what camera you're looking at.
When drawing the sun, try to have on hand colored paper, chalk, felt-tip markers, crayons, pencils, ball point pens. You can draw a sun with any one of them. Also remember that sunset and dawn are the back and front of the same phenomenon: when we are looking at the sunset, the people over there are looking at the dawn.
Today the thing I find myself thinking about the most is our landscape...I think it's something a lot of us take for granted; for many of us Australia is just there but how many of us have really seen it, have seen Kakadu or Kings Canyon? I know I hope to at some stage, to see Uluru at sunset and the ancient art in the Abrakurrie caves. I think it's our landscape which defines our identity and it's what I'm most grateful for.
I was looking to show people I could act. I was looking for something that would take me away from the whole hunk riding off into the sunset thing that people wanted me to play after Brown Sugar.
If landscape is a character for me, then it helps if I'm familiar with it and I already have a take on it.
Planning my food a bit helps me. Knowing what I'm going to be eating for lunch helps, instead of getting hungry and then looking for something.
As for me, I believe that if there's a God - and I am as neutral on the subject as is possible - then the most basic proof of His existence is black humor. What else explains it, that odd, reliable comfort that billows up at the worst moments, like a beautiful sunset woven out of the smoke over a bombed city.
Looking at a sunset, just for a second you forget your separateness: you are the sunset. That is the moment when you feel the beauty of it. But the moment you say that it is a beautiful sunset, you are no longer feeling it; you have come back to your separate, enclosed entity of the ego. Now the mind is speaking. And this is one of the mysteries, that the mind can speak, and knows nothing; and the heart knows everything, and cannot speak.
And we did it because it's time for City Hall to stop looking out for City Hall and start looking out for the people like you and me who are footing the bill.
Don't you think it would be great to do a bunch of Nicorette commercials? Just, like, me in the desert, kind of Marlboro Man-style, driving a fast car, pulling over, looking at the sunset. Dissolving in ecstasy. Can't you see it? Me blowing huge Nicorette bubbles.
If you look at any type of situation, I look at the positive and try to spread my light and truth. I think it helps with my outlook on life and correlates to football. But I don't think it helps me run any faster, jump any higher, or catch the ball or anything like that. It just helps me with perspective.
For us as writers, it's really important to have songs we believe in - even before sometimes we shoot a scene. If we have a song that's so perfectly designed for a scene on 'Rescue Me,' we'll play it on loud speakers during the shooting. It helps the cameraman and it helps the director, and it helps the actors know what the feel is.
I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.
I used to read every, well, most nights. I think reading helps me in terms of relaxing... It helps me to get my mind off the game a little bit more and it helps me to be a little bit more focused.
What concerns me when I work, is not whether the picture is a landscape, or whether it's pastoral, or whether somebody will see a sunset in it. What concerns me is - did I make a beautiful picture?
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