A Quote by Jubin Nautiyal

With Rahman, I worked on 'The Humma Song.' It is a song that I have loved since I was a child and I got to sing it. — © Jubin Nautiyal
With Rahman, I worked on 'The Humma Song.' It is a song that I have loved since I was a child and I got to sing it.
Live well. Sing out, sing loud, and sing often. And God bless the child that's got a song.
The song 'Hymnostic' is kind of a gospel song, and that song is really fun to sing with as many people as possible. And anyone can sing it, you know?
I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
When I got to sit in Big Bird's nest with Big Bird and sing the song, 'Sing. Sing a song. Sing out loud,' that was my crowning achievement.
When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
I have not yet worked with A.R. Rahman and it is my hearty desire to do so. In Jugni both of us have a song but we have not sung together.
Sing us a song you're the piano man. Sing us a song tonight. Cause we're all in the mood for a melody, And you've got us feeling all right.
That's really what was wonderful for me growing up, since I got to know so many of the songwriters who liked me and thought I had talent. They would then tell me how to read a lyric and sing a song, and challenge me to try and find a different end to a song.
When I was offered to sing 'Tere Bina' in 'Guru' by A. R. Rahman sir, it was a surreal experience. The song clicked, and many composers took notice of me and my work then.
Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.
Dear friends, have you begun to sing the "new song? " Loved ones are singing it in the heavenly home, and we may sing it here; and by and by we shall join them, gaze with them on the risen, glorified Lord, and our voices will mingle in the "new song" "unto Him that loved us, and washed us from our sins in His own blood, to Him be glory and dominion for ever and ever".
Sister Simplicitie! Sing, sing a song to me,-- Sing me to sleep! Some legend low and long, Slow as the summer song Of the dull Deep.
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
I don't always have to sing a song. There is something besides 'The Man That Got Away' or 'Over the Rainbow' or 'The Trolley Song.' There's a woman. There are three children. There's me! There's a lot of life going here.
Sure, I've thought about retiring, but in my mind, if you can't sing the song anymore, change the song and sing a different one!
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