I always believe that a good story will find its audience and that it will attract different kinds of elements of creative people who will make it more compelling.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
If you establish a democracy, you must in due time reap the fruits of a democracy. You will in due season have great impatience of public burdens, combined in due season with great increase of public expenditure. You will in due season have wars entered into from passion and not from reason; and you will in due season submit to peace ignominiously sought and ignominiously obtained, which will diminish your authority and perhaps endanger your independence. You will in due season find your property is less valuable, and your freedom less complete.
Museums have these great collections and the reality is they attract a regional audience not a national audience.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
It's hard to get people up and out to shows, but 'The Walworth Farce' has masses of energy and will attract a crowd who don't always come to the theatre, which is great.
I believe the time will come when the whole definition of pop music will change. It will get to the point where a song will not be a good song until it has a high level of creativity in writing and performance. In other words, in order to be popular, songs will have to meet these high standards.
In the first act, you get the audience's attention - once you have it, they will repay you in the second. Play through the laughs if you have to. It will only make the audience believe there are so many of them that they missed a few.
I don't think you ever write a song with any intention except the song's about such and such per say ... we've never written a song and thought 'oh it'd be great if in this part this happened in the audience'.
A singer doesn't sing at home: he or she wants his songs to reach out the audience. Audience always gives you your due.
Feeling emotionally connected to a song, and accumulating every bit of the moment's energy to sing out to the audience is what I believe makes a great performer.
You're always hoping you can attract a bigger audience, but at the same time, I'd hate to give up what I write. If I could write Chick Lit or something like that and make money off it, that'd be great. But I just can't do it.
You will attract everything that you require. If it's money you need... you'll attract it. If it's people you need... you'll attract it. If it's a certain book you need... you'll attract it.
My chance, when it came, was due, literally, to the fact that I was slender.... You cannot make an opera audience believe that a man will endanger his soul, and commit robbery and murder for a very stout lady's sake.
After my first song in 2015, I had received a great response from audience, and directors always appreciated my work.
I always work on the theory that the audience will believe you best if you believe yourself.