A Quote by Jubin Nautiyal
When I started working on the sounds and music of 'Breaking the Rules,' I figured that I am really good at it so I was happy.
Related Quotes
The world will try to make you think that being good is outdated and old-fashioned and that popularity comes from breaking the rules and lowering your standards. Don't buy into that way of thinking. As you watch TV or read magazines, you might be made to feel abnormal when, really, you are the one who has it figured out.
I always say that it's about breaking the rules. But the secret of breaking rules in a way that works is understanding what the rules are in the first place.
I went to grad school because I wanted to learn the rules so I would know how to break them. Breaking the rules is saying, 'I'm breaking in, OK? I'm breaking in your very comfortable little house over here, and I'm going to take a room.'
Transgressive to me means breaking the rules and sinning. I don't see myself as breaking the rules and sinning. I'm really interested in what it means to be female.
When I started making music, I figured the name Rico Nasty would give a background of who I am.
When you depart from standard usage, it should be deliberate and not an accidental lapse. Like a poet who breaks the rules of poetry for creative effect, this only works when you know and respect the rule you are breaking. If you have never heard of the rules you are breaking, you have no right to do so, and you are likely to come off like a buffoon or a barbarian. Breaking rules, using slang and archaic language can be effective, but it is just as likely to give you an audience busy with wincing.
I believe as musicians and artists we have an obligation to our souls. What that is? Only each one of us knows. I can speak for myself and say my obligation is to be happy. When I'm happy, I make great music. When I'm unhappy and my heart is broken, I may make brokenhearted music, but it still sounds good.
I believe as musicians and artists we have an obligation to our souls. What that is? Only each one of us knows. I can speak for myself and say my obligation is to be happy. When I’m happy, I make great music. When I’m unhappy and my heart is broken, I may make brokenhearted music, but it still sounds good.
I started to play noise on my cello because I felt a deep personal connection to it. I mean, I still love all the beautiful sounds of the cello as much as anybody but it's only when I play certain sounds I know that the cello really presents who I am; not my emotions but who I am as a person.
I am happy when I am on stage. I like that wave of blue. I like the eardrum splitting sounds of loud screams. I like to be able to breathe along with the members. Each and every stage is a good reminiscence and a happy memory
There are simply two kinds of music, good music and the other kind ... the only yardstick by which the result should be judged is simply that of how it sounds. If it sounds good it's successful; if it doesn't it has failed.
These are party-sanctioned debates. This is a presidential election, you show up at the debates. These are the rules. We have a series of unwritten rules of how campaigns are run, and everybody has followed those rules consistently over the decades. And no one has really even seriously thought about breaking them.
The equipment doesn't matter, it's the vibe you put into it. If the music sounds good, music sounds good.
The Clash were innovative, radical and helped drive a change in music that was ground-breaking. In comparison to some of the music today they sounded like they meant it. I still listen to their music today to remind myself what music made with commitment sounds like.
I am amused with the love people are showing for my songs. I am really happy to see my fans enjoying my music and loving the music I make.
When I started working in Mumbai, I was interested in working in the indie and niche spaces, as they do make really good cinema, driven by good stories. But then, I decided to explore everything possible.
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