A Quote by Judah Friedlander
Stand-up is kind of like my home base, and doing stand-up in New York is what I like doing most.
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When they first start doing comedy, new comics or even people that have only been doing it three or four years, they're doing an impersonation of a stand-up. This is what I think a stand-up should sound like.
At the time, I was reading this Miles Davis book, and he was talking about coming to New York right after he was in high school. It kind of made me feel like, "Yeah." I didn't want to go to college; I wanted to do stand-up. And I figured, "What's the point of doing stand-up around DC? I'm always going to be under-appreciated there because I started there." I felt like I was strong enough and unique enough that I should give it a big leash to shine. New York was the best thing that ever happened to me as a comedian.
Other than friends and family, my favorite things are New York and stand-up. I love doing comedy in New York - I can do way more stand-up here than in Los Angeles.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
The poet is like the wise fool or like a version of the stand-up, because we're standing, we're doing stand-up. That's exactly what we're doing.
I've been doing stand-up just about every night since I started in 1989. It's my home base. But I'm into doing comedy in all mediums, platforms and situations.
No, I never really set out to be a stand up. I wanted to be a writer of some sort. I thought I'd do a bit of stand up and hopefully that will lead to stuff and little did I know it kind of snowballed. Before I knew it I was doing stand up 300 nights a year.
I first did stand-up when I was 17, and then I passed out fliers for a comedy club (in New York City) and I got onstage whenever I could. And musical theater went out the window as soon as I started doing stand-up.
I'd been acting and doing stand-up in New York about eight years, getting rejected, and I finally got the opportunity to do stand-up on Letterman, which holds even more importance for me. With comedians, that's definitely the pinnacle, but being from Indiana, it was a big to-do.
I started doing stand-up when I was 15 and doing Letterman when I was 20. So I've been doing stand-up comedy and clubs for over 30 years. That's a long time.
When I went to college, I did clothing and textiles. It really wasn't until I moved to New York, my second night in, I did stand-up. I took a wild left turn, and instead of going back and finishing school at FIT, I started doing stand-up and acting.
Yeah, I mean, I did regular stand-up for a long time. And I did - I stopped doing stand-up when I worked on 'Ellen,' which was for five years. So when I went back to it, I found that, like, regular stand-up didn't really do it for me anymore. It almost felt insincere, like I wasn't saying anything I actually really wanted to say.
I'm doing a lot of stand-up, but not like when you're living in New York and you can do three sets a night and it's your life, and you sleep all day and you wake up and you eat with a bunch of other comics and then get ready for the night.
You do stand-up because you have to do it. If you're doing it to become 'famous,' you're wrong. If you're doing it to become a millionaire, you're doing it for the wrong reasons. In 2003, I was flat broke. I'd been doing stand-up for 14 years at that point. I loved it and just kept at it.
I started doing '30 Rock' and started writing 'Mystery Team' at the beginning of that. While I was doing 'Mystery Team,' I started practicing stand-up. While I was doing stand up, I got 'Community.' It's like I planted trees six years ago, and now they have fruit.
There's so many ways to do stand up, and I think, for awhile, people weren't really maximizing the freedom of it. We were all kind of doing a similar kind of stand up, and I started to see some original voices come out of Boston.
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