A Quote by Judd Hirsch

When you get a chance to work with Aaron Sorkin, you don't say no. You drop everything you're doing. — © Judd Hirsch
When you get a chance to work with Aaron Sorkin, you don't say no. You drop everything you're doing.
Simply, if you're working with good material, then it's right there, and you don't have to try so hard as an actor; you don't have to do so much. Just let the material sit inside you and let it come out. Just say the words. That was the main thing that I learned from doing Aaron Sorkin's work - say the words, and everything else will happen.
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
I understood the importance of doing an Aaron Sorkin film. He's a political filmmaker.
I am lucky enough to have Aaron Sorkin write what I have to say.
For better or worse, I have a lot of vaudeville circus skills that you just can't showcase in Aaron Sorkin's work.
I read an interview with Aaron Sorkin and he said he plays every part when he's writing. I thought, "Oh, I do that too! I'm doing okay."
I don't claim to be some Aaron Sorkin expert, but it is like a Camelot. His shows are a place where people are trying to reach their highest potential. And I think we miss that sometimes. If I got a chance to do 'The Newsroom,' I would have done it yesterday.
I'd love to work with Aaron Sorkin on something. Just the way he writes, he has no fear in writing people that are fiercely intelligent, and I love that.
Aaron Sorkin was completely unable to understand the actual psychology of Mark or of Facebook. He can't conceive of a world where social status or getting laid or, for that matter, doing drugs, is not the most important thing.
All of Aaron Sorkin's characters are so smart.
I think it's great when writers get recognition; it doesn't happen very often. I just don't want that writer to be me. Let it be Aaron Sorkin or, you know, somebody good.
I just wish that I had a part in everything Aaron Sorkin wrote. Sometimes I wish I was a member of an acting troupe where we all just kept working together, the same people. I can't, unfortunately, be in everything he writes. I'm excited for him, but I'm jealous that I wasn't a part of it.
I don't think Aaron Sorkin can write a character who isn't really funny.
I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.
Everybody knows Aaron Sorkin's scripts. There's a huge amount of lines. There's a huge amount of interchange. You gotta do a lot of learning to be able to get it up to pace.
Aaron Sorkin is why people hate liberals. He's a smug, condescending know-it-all who isn't as smart as he thinks he is.
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