A Quote by Judd Nelson
As they were building that library in that school's gym [in the Breakfast Club], they built a rehearsal space for us. It was really an empty room taped out with the same dimensions of the library. And they had the tables all there. And he had us sitting at the same table. All of us.
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The only thing that I discovered very early on is that, even though we might change schools and cities and towns and states, the books in the library were the same. They had the same covers. They had the same characters. I could go and visit those people in the library as if I knew them.
My parents used to park us kids at the public library in downtown Honolulu every Saturday. They'd leave us there at 8 A.M. and pick us up at 4 P.M. - so between those hours, you'd better find something to do! I sat upstairs in the picture room and went through opera, ballet, and theater books. I loved the photographs of people wearing elaborate makeup and costumes - they really pulled at me inside. I was in that library every week for years, until I was about 13. I had a rich interior life, because I didn't have much of a social life.
Both my mum and dad were great readers, and we would go every Saturday morning to the library, and my sister and I had a library card when we could pass off something as a signature, and all of us would come with an armful of books.
If we were not sinners, Jesus would not have had to come. If he didn't see us as sinners, he could have loved us without dying for us. He died for our sins. So if we're all sinners, that means everybody's in the pot together needing the same love, the same grace and the same forgiveness.
One of the powerful functions of a library-any library-lies in its ability to take us away from worlds that are familiar and comfortable and into ones which we can neither predict nor control, to lead us down new roads whose contours and vistas provide us with new perspectives.
I grew up in rural Tennessee. There were no bookstores in the town, but the school had a little library and the town had a little library, each with a patient and enthusiastic librarian, and I raced into both as if they were doorways to another world.
A large group of us were crowded into the Gestapo hall, and at that moment the circumstances of all our lives were the same. All of us occupied the same space, the men behind the desk no less than those about to be questioned. What distinguished each of us was only our inner attitude.
There's a lot of people out here who have the same dreams I had when I was their age that are really talented, and a lot of kids look up to us and really are watching every move that we do. For us it inspires us to be great.
I had a library of maybe 1,000 books in my room in Buenos Aires. I did have the sense that everything there was organised in the right way. You'll probably think I needed serious psychiatric treatment, but there were times when I would not buy a book because I knew it wouldn't fit one of the categories into which I had divided the library.
I've been in towns where there is no library, or where the library for the high school and the library for the town is one room, and it's smaller than my modest living room here. So you don't have many resources in 1950 or even 1970. This is the year, 2013, every town in America is connected to the web. Every town in America is therefore connected to all kinds of resources at the Library of Congress, at 100,000 websites.
Mom was a school teacher, and she had to be at work at 7:30 every morning. So Dad was in charge of us three kids around the breakfast table. He always made it creative: he did the bananas with the smiley face and the eyes with peanut butter on top, made us drink grapefruit every morning even though we had to do it holding our noses.
We had no money, and we had to go through 'punk' school. We ended up living in the rehearsal room that used to be the Sex Pistols rehearsal room at Malcolm McLaren's office. So we had this sort of interesting beginning.
Sly always had us rehearsing, and he always had something planned out that he wanted us to do. So it wasn't ever like, 'Well what should we work on?' It was never that. He always had the plan, 'This is what we're going to do today, shoop shoop shoop shoop,' and everybody's minds were in the same direction.
We still had the prayer support of our church. We shot this film [War Room] in Charlotte, North Carolina, and we had about 85 churches rise up and support us across racial and denominational lines, and many of them were praying for us, and we built some prayer teams where we had people on set praying.
Come indoors then, and open the books on your library shelves. For you have a library and a good one. A working library, a living library; a library where nothing is chained down and nothing is locked up; a library where the songs of the singers rise naturally from the lives of the livers.
It was 1953, and I was still at school. I'd borrowed a silent French film from the library for my 9.5mm projector. It was by Jean Epstein, and it was awful. So I rang the library and asked if they had anything else. They said they had 'Napoleon Bonaparte and the French Revolution.'
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