A Quote by Judd Nelson

Trace Adkins is such a great guy. Really is. And he's got that incredible voice - low, deep. He throws words around like "my dental coverage." — © Judd Nelson
Trace Adkins is such a great guy. Really is. And he's got that incredible voice - low, deep. He throws words around like "my dental coverage."
I walked into a demo session one time, and a guy said, 'I'm thinking kind of like a Trace Adkins thing.' And I looked him right in the eye and said, 'Man, you've got the wrong guy. I'm gonna have to fire myself. You've got to hire somebody else.'
Trace Adkins doesn't talk too much, but when he does he's got great stories. He's lived a great life.
When I first got to the NFL, I didn't see no double coverage at all. I was getting single coverage. I was killing it. Then they were, 'all right, this guy can play and we have to double this guy.' Since probably like the 11th or 12th game my rookie year, I started to get double-teamed.
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
I would like to have a decathlon where all of my throws are really consistent and set the tone. That I'm good all-around, not just a speed and jump guy.
One of the things I don't like about film is its incredible immersive quality. It's kind of bullying - it's very big, it's very flashy, it's got a lot of weight and it throws it around almost to the detriment of the rest of our culture.
There was an agent who wanted to book me for Glee. He lied and said I could sing. He was like, "If you need a guy in a wheelchair who has a great voice, I've got your guy!" I was like, "What are you talking about?" .
I think everyone would like to have that one guy who gets triple-teamed, and he throws it to an open guy, but there aren't many of those guys around.
Something like Deckard Cain is great; it doesn't ruin your voice. But games that involve violence or battle or mutating and stuff like that really does take a toll on your voice. And I've even had to start to go to a voice guru kind of guy to do exercises to try to save and get back some of what I lost.
It's really deep with incredible lyrics. That's why I decided to call the album 'Words.'
'Family Guy''s got a strong fanbase, man, like no other. It's great. Everywhere around the world, it's pretty amazing. It's amazing that people love 'Family Guy' as much as they do. It's great.
'Family Guy's got a strong fanbase, man, like no other. It's great. Everywhere around the world, it's pretty amazing. It's amazing that people love 'Family Guy' as much as they do. It's great.
In wrestling, you've got to be an athlete. You can't just be a body builder; you can't just be this big strong guy who picks people up and throws them around. For longevity in the business, you got to keep your body fit and together.
I come from probably many generations of singers because my grandmother had a really incredible voice and sang in church. And my mother had a gorgeous voice and was always singing around the house.
I had a hole in my voice. I still do. We call it a hole, but it's an area in the voice where it's air. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in the middle area, it was really hard.
I had a hole in my voice. It's an area in the voice where it's air. It's just - there's no - it's just very airy. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in that middle area, it was really hard. It was like a passage. And many singers go through this and work it out. But I realized in jazz, I could just take advantage of that and take advantage of having a voice that was very different in different areas.
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