A Quote by Judd Nelson

All of the directors I've worked with I have loved and would work with again. I have no favorites. — © Judd Nelson
All of the directors I've worked with I have loved and would work with again. I have no favorites.
Practically everybody I've ever worked with, I'd like to work with again. I had a great time with the people that I've worked with, and the directors, and a lot of the casts. There's really nobody where you'd say, "Oh, I got X, Y, and zed again! Gahhh, no!" It really brings a smile to my face, because in 95 percent of the cases, people I've worked with, I'd be thrilled to work with again.
I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.
I have worked with a lot of great directors but my favorites are all entirely different from one another. They don't go about it the same way.
I would like to believe that I am a collaborative actor. That's why I love all the directors I have worked with in recent times, as they are all collaborative directors. I think my constant desire is to keep bettering my own work. I don't get easily satisfied with my work; I am very critical of it. I learn from my mistakes.
F. Gary Gray, I think, is one of the best directors I've ever worked with in my life, and I'd love to work with him again.
There are so many great directors that I haven't worked with and that I would love to work with.
I think one of my favorite directors is P.T. Anderson - living directors, I should say. And Spike Jonze is one of my favorites, Gus Van Sant.
Stephen Daldry would be a director that I would love to work with as well as Peter Jackson, Tim Burton, and I'm very lucky to have worked with Isabel Coixet, who is also one of my favourite directors.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
I had many, many mentors that I worked with. Music teachers, choir directors, directors in summer stock or in regional theater. You know, people I was able to work with repeatedly and learn from who were really sort of appropriate people for me to work with at a given time in my development as an actor.
I only ever get to work with Naito once a year. I'd love to wrestle him again. Yeah, he's good, for sure. The person I've never worked before in a New Japan ring - and I'd be happy to get the chance and show the difference of styles - is Zack Sabre, Jr., so that'd be another one. Yeah, he's one of my favorites.
I think I happened to work with sort of a bunch of slightly difficult male directors when I was a kid. I've since worked with lots of male directors that I love, so I no longer see the distinction gender-wise.
I worked all the time and when I say that, I mean I would work for three weeks, come home for a month, and work again, but it would have been nice to take long chunks of time off.
The cinema I particularly love is the cinema of the golden age of the studios in the 1930s. One of the really nice things about it was the way teams of actors and directors and crew people worked together again and again.
I loved her and I loved no one else and we had a lovely magic time while we were alone. I worked well and we made great trips, and I thought we were invulnerable again, and it wasn't until we were out of the mountains in late spring, and back in Paris, that the other thing started again.
Would I work in Scotland again? Of course I would. I loved every single second of being there.
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