A Quote by Judd Nelson

My first love is acting on stage. A sitcom is a hybrid of stage and film. — © Judd Nelson
My first love is acting on stage. A sitcom is a hybrid of stage and film.
The whole concept of stage fright is fascinating. Actors get stage fright, but they wouldn't be on the stage in the first place if they just succumbed to it. There's this love/hate relationship with the spotlight.
I'm a stage actor. You know, I was - I cut my teeth on stage, you know. So I've always had a love affair with the stage, first off, what I was raised in, you know.
When I first started acting, I never thought I'd be on TV or film. I always wanted to be on stage.
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
I won the speech competition in class, and I always say this was my first 'spoken word performance.' It was the first time I got on stage and recited something. I fell in love with the stage at the age of 12.
I would say acting on stage is my first love.
When you're on stage, you're playing to whoever is in the back of the room, and TV and film is so much more detailed and nuanced, but I think that's what I always wanted to do. As much as I love theater and musical theater and would love to do it again, I really love the subtleties of film and theater acting.
I attend film school, my background is acting and directing. But the acting does best, I like to work on the stage.
Stage is all real; it's just as honest except it's bigger. I love stage, I love TV and film, so I think I'll just keep exploring and try to keep a really full picture.
When a new truth enters the world, the first stage of reaction to it is ridicule, the second stage is violent opposition, and in the third stage, that truth comes to be regarded as self-evident.
I was never a villain on the stage. I always played strong, sympathetic types. My first stage role with a speaking part, believe it or not, was as a priest. It wasn't until I began acting in films that the producers and directors saw me primarily as a bizarre villain.
My whole experience into the sitcom world, it was, like, "This is like theater, this is like film... This is a hybrid of everything I love to do. A live audience and rehearsals and... more food!"
There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.
The foundation for film acting is stage acting.
The stage is my first love. It gives me immense self-satisfaction, a sort of power because a stage actor carries the audience along; it's a live performance; spontaneity is its soul.
I always had something to think about or draw from, which as an actor is a gift. The beautiful thing about film is that it gets so much closer than stage. I love stage and that's what I started doing and it's a beautiful art form in of itself, but in film you can move your eyes to the side and somehow the audience can fill in the blanks of what you're thinking.
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