A Quote by Judd Nelson
I just couldn't go back to Suddenly Susan after David Strickland's suicide. I didn't see how we could make the show light and funny any more.
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I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.
We could go back," he said. In the dome light of the car, his face looked hard as stone. "We could go back to your house. I can stay with you always. We can know each other's bodies in every way, night after night. I could love you." His nostrils flared, and he looked suddenly proud. "I could work. You would not be poor. I would help you." "Sounds like a marriage," I said, trying to lighten the atmosphere. But my voice was too shaky. "Yes," he said.
Honestly, I try to forget Fashion Week once it's over. I just want to go home and rest and just forget I even did it. It could drive you crazy! It's just show after show after show, and you're missing your family and they feel really far away. You don't go to sleep. You work for a month.
I wasn't particularly prolific at sport, and I could get by at school, but I wasn't going to win any prizes. Suddenly people were slapping me on the back and saying that I was funny and talented. So I just knew that it felt good to be appreciated, basically. Whenever I got an opportunity to do some acting I did a little bit more.
I suppose I could have sat back and pitied myself. For a time I wondered if I'd ever be able to go on to a stage and perform again. After a couple of weeks I began to feel I could fight my way back to health if I put my mind to it. I thought to myself: 'Pity never did anybody any good. Go on. Patsy, show 'em what you can do'
...we ask: Why suicide? We search for reasons, causes, and so on.... We follow the course of the life he has now so suddenly terminated as far back as we can. For days we are preoccupied with the question: Why suicide? We recollect details. And yet we must say that everything in the suicide's life- for now we know that all his life he was a suicide, led a suicide's existence- is part of the cause, the reason, for his suicide.
An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."
She walked quickly around her one-room apartment. After more than four years in this one home she knew all its possibilities, how it could put on a sham appearance of warmth and welcome when she needed a place to hide in, how it stood over her in the night when she woke suddenly, how it could relax itself into a disagreeable unmade, badly-put-together state, mornings like this, anxious to drive her out and go back to sleep.
I don't feel any pressure to be funny at all. I'm funny because I want to be funny. I could sit here and be serious for an hour and you would go away and make me much funnier than I am.
I created a paradigm by which I could succeed, and up until recently it was the only way I could do it. I could not take the brunt of standing in the light of my own work. There was a Faustian bargain I could not make. I could have you mock me for wearing funny clothes that I could deal with. But I couldn't deal with actually standing in the light of my own musical power. That's the difference now. It's like, okay, no more of that, you're done.
Cursing dads are terrifying, you know? Cursing dads are - I don't know why, but no. It just doesn't seem to me that that would be funny. I mean it might be - you could try it and see. I suppose anybody just losing it and sputtering curses is pretty funny. But I think it would be more of a challenge, much more of a challenge, to make a cursing dad funny.
One day, a woman found herself standing at Heaven's gate. The angels' only question to her was, "Zusai, why weren't you Zusai?" Within that simple question lies the heart of all our soul work. If you are David, why aren't you fully David? If you are Susan, why aren't you completely Susan? We are here on Earth to become who we are meant to be.
I could see jealousy coming up, I could see anger, I could see frustration. I could see people's agendas. I could see my kids going wild - because we never had any money, and suddenly, we had money.
Funny, how just when you think life can’t possibly get any worse it suddenly does.
We didn't have reruns back then, so when the show ended we thought it was over. I'm overwhelmed by how long the show has been popular and by how many people still love it today. I still watch the reruns and just laugh! Here in Mount Airy they show the Andy Griffith Show at 3:30 in the afternoons and they call it "Andy After School", but the show wasn't just for kids, it was for everyone.
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