A Quote by Judd Trump

Some shots people won't think are right but I want to give the crowd a good show and get new people into the sport. — © Judd Trump
Some shots people won't think are right but I want to give the crowd a good show and get new people into the sport.
As long as I'm working in sport, enjoying it and getting to see some wonderful sporting events, I'm quite happy. I don't want to be really famous. I don't want people to stop me in the street. I want to just enjoy the work, work with lovely people, work on good quality sport and get to experience some more of these amazing moments.
I don't think you can control people. I don't think you manage people. I think you give people a direction, you give them the resources, you lead by example. They get it right, you say, 'Atta girl.' And they get it wrong, you say, 'Not good.'
It's good to have a brand that is consistent that people know about and trust. But it's also good to mix it up and adapt it, to polish it a bit and give it a new aspect. To not violate the reputation you've established but give it a new edge and veneer to show other aspects that people hadn't suspected.
And the reward when good people die - her mother paused, swallowed, paused again - the reward when good people die is that they get to help make the people in their families who haven't been born yet. They pick out what kinds of traits they want the new people to have - they give them all the raw material of their souls, like their talents and their brains and their potential. Of course it's up to the new ones, once they're born, what they'll use and what they won't but that's what everyone who dies is doing, I think.
This is a new phase in my life. I just want people to give the show ["This Is Mike Stud"] and myself a real chance. I'm pretty self aware and know what people are going to think this show is going to be like.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it. What do I do in that situation? Get through it.
I decided to host my show 'Kiss and Cry' hoping that people actually want to participate and feel more familiar with figure skating. When I see these people enjoying themselves, it's a great joy to me. Although some of them get hurt once in a while, they enjoy it a lot, and I hope the show makes the viewers want to give it a try.
It's not about pop culture, and it's not about fooling people, and it's not about convincing people that they want something they don't. We figure out what we want. And I think we're pretty good at having the right discipline to think through whether a lot of other people are going to want it, too. That's what we get paid to do.
Some people see ESPN. They see the long shots. They see me scoring the basketball, but they don't show often too many assists - and I've been doing that my whole career, being able to get the ball to the guy at the right time.
People get some success, they get some money, they get some power, and they put themselves on this pedestal above other people. They forget people and try to fit in with their new crews they think they need to be around with. I didn't believe that. I'm still human being.
My job is to put on a great performance. Every time I step in the ring, my job is to perform at top level and to give the people, give the crowd, give the audience what they came to see and that is a good show and, of course, everybody wants to see knockouts and that's what I like to do.
I think if you go from show to show without doing that big PR blitz it's helpful because people can get pretty sick of your face if you're just out there all the time. And keep a low profile, hold in your stomach and be a good sport.
I think if you go from show to show without doing that big PR blitz its helpful because people can get pretty sick of your face if youre just out there all the time. And keep a low profile, hold in your stomach and be a good sport.
Our borders are much too porous...We want to keep them open, but we also have to be much more careful. ...Right now, if you get on an airplane [to the U.S.] and claim asylum...when you arrive at Kennedy Airport in New York, they will say to you, 'OK, we'll give you a hearing on whether you deserve asylum. Show up in a year.' And two-thirds of the people never show up.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
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