A Quote by Jude Morgan

But we disposable women have to be realistic in this life, you know. Else we get itchy and discontented and start contemplating the kitchen knife and wondering whether it wouldn't look nicer between someone's shoulder-blades.
Everything is disposable now: disposable lighters, disposable blades, disposable stars. They inflate you up for one big deal and then they look for someone else.
No matter how subtle the wizard, a knife between the shoulder blades will cramp his style.
No matter how subtle the wizard, a knife between the shoulder blades will seriously cramp his style.
Raphael snapped, "This isn't funny." "That's why no one's laughing." Jace stood, hauling Raphael upright, jamming the tip of his knife between Raphael's shoulder blades.
If you know what you're doing, you can make a meal happen with any kitchen knife. But using a top-quality knife versus a low-quality one is the difference between driving a Jaguar and a VW Jetta across the country. They'll both get you there. But the Jaguar will give you a much smoother ride.
To be completely woman you need a master, and in him a compass for your life. You need a man you can look up to and respect. If you dethrone him it's no wonder that you are discontented, and discontented women are not loved for long.
One of the things I wonder is whether it's good that the whole free model makes a lot of people listen to more of your music. I'm wondering if it devalues it, it becomes disposable, because you can get it so easily.
You know, life hasn't changed that much for me. It's just, everything's gotten a little nicer. I drive a nicer car. I live in a nicer house.
Well, people have been wondering what's going to happen to the novel for two hundred years; its death has been announced many times. You know, I think the novel keeps redefining the world we live in. What you should look for in a novel is a window nobody else is looking out of, that nobody else can look through. What you look for is a voice. You pick up a novel by someone such as Faulkner or Hemingway and you just read three pages and you know who wrote it. And that's what one should demand of a novelist.
Most of my recipes start life in the domestic kitchen, and even those that start out in the restaurant kitchen have to go through the domestic kitchen.
The blankets had fallen off and I stared down at her white back, the shoulder blades sticking out as if they wanted to grow into wings, poke through that skin. Little blades. She was helpless.
you have to realize that you don't have someone else's life and your never going to. You better start loving the one you got. Embrass the life you have and stop wishing that you could be someone else. Just stop all that and start saying "God here I am. Do what you want to do with me".
Each time I think I've made a connection with someone... once they find out what I can do, whether it's hours or days later, everything changes. Invariably they freak. They get retroactively paranoid, wondering what else Clark Kent is hiding from them.
When I hire musicians, I look for that first: every time they sit down do they go for it, you know? And do they try to learn the music and try to get inside the song whatever the tune is? Whether it's my originals or someone else's, it's just whether or not they're gonna play their hearts out, first and foremost.
You know you're ready to write a book when you have a feeling that you should do it, no matter what anybody says. It's like falling in love or starting a company. When you're still wondering if you should get married or you're still wondering whether you should start a company that might be not the right person or the right idea. And writing is the same way. When you've locked on to the topic, you'll just write it.
Tories never actually talk about getting rid of their leader, then suddenly there us a flash of steel between he shoulder-blades and rigormortis sets in.
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