A Quote by Judge Reinhold

In my movies, I portray this 'Everyman' persona, someone everybody can empathize with. People can identify with a guy like me. — © Judge Reinhold
In my movies, I portray this 'Everyman' persona, someone everybody can empathize with. People can identify with a guy like me.
Actors look at life in a different way. When I meet people, I know that one day I may portray that person or someone like them. It may be a cop or a homeless guy. It helps you to pay more attention to people. Everyone I meet, I retain something from them, something from their personality. It helps me to portray realism in my work.
My whole comic persona is that of a guy who explores the id: I romanticize gluttony, I romanticize laziness, and people identify with that.
For me, comedy is constantly presented as this fake casualness, like a guy just walked on stage going, 'This crazy thing happened to me the other day.' And he's in front of 3000 people, and he's acting like an everyman, and he's getting paid so much money.
We all are born with a certain package. We are who we are: where we were born, who we were born as, how we were raised. We're kind of stuck inside that person, and the purpose of civilization and growth is to be able to reach out and empathize a little bit with other people. And for me, the movies are like a machine that generates empathy. It lets you understand a little bit more about different hopes, aspirations, dreams and fears. It helps us to identify with the people who are sharing this journey with us.
The purpose of civilization and growth is to be able to reach out and empathize with other people... For me, the movies are like a machine that generates empathy.
I'm the guy, I'm kind of like the, uh, Everyman, so I think people just relate to that.
As an actor, what you dream of is being able to portray people that people empathize with and understand and really feel for.
When you try to portray people's lives, you try to make sure you don't portray them as clowns and that you give them a level of dignity. You don't try to change their persona, but you try to understand that they had unique problems, set in a century that you don't live.
I loved all movies, literally. I certainly loved 'Shane' and 'Roxie Hart.' Later on, when I was less of a kid, I loved 'L'Avventura' and 'Persona' and all Fellini movies and like everybody else I loved John Ford. Then and now, I loved Preston Sturges, maybe above anyone.
If you go on stage, or on TV, then there is an impetus that comes about to be a persona. A completely different character. But when you're someone like me, you don't want to have a persona. I want to be exactly who I am on stage.
The Miz is someone who people are usually like, 'I can't believe how well he's doing. I can't believe this. I can't believe that.' But to me, he's someone who really always defined what it takes to becomes a successful public persona and in-ring entertainer, and to me, that's being authentic.
If you can identify with people, you can empathize with people and therefore you understand things.
A lot of people mistake the persona that I create in poetry and fiction with me. A lot of people claim to know me who don't really know me. They know the work, or they know the persona in the work, and they confuse that with me, the writer. They don't realize that the persona is also a creation and a fabrication, a composite of my friends and myself all pasted together.
I identify with this guy's frustration and inability to control his fury at moments. I even identify with the way that this guy covers up a lot with humour. So yeah, it's interesting.
Everybody wants me to be the (guy) who's (sleeping with) every celebrity woman in the industry. Everybody wants me to be this (guy) in the club, popping 17 bottles just because. Everybody wants me to be Diddy, and that's not me.
Everyman is me. I am his brother. No man is my enemy. I am Everyman and he is in and of me. This is my faith, my strength, my deepest hope, and my only belief.
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