A Quote by Judi Dench

I wanted to be a set designer when I was young. — © Judi Dench
I wanted to be a set designer when I was young.
I want young people to be able to buy into what I design. When I was young, I wanted to buy designer brands even if all I could afford was the cheapest wallet, the cheapest pen, the cheapest T-shirt because I wanted to be a part of it.
I love working with a set designer because, in many respects, you meet the set designer before you meet the actors. So it's a chance for me as a director to figure out what I'm thinking and to explore how the space is going to actually be activated.
The words graphic designer, architect, or industrial designer stick in my throat, giving me a sense of limitation, of specialisation within the specialty, of a relationship to society and form itself that is unsatisfactory and incomplete. This inadequate set of terms to describe an active life reveals only partially the still undefined nature of the designer.
You don't have that much choice in your life, which is one of the big lessons I've learned. I was going to be a designer whether I wanted to be a designer or not. So there I was.
You don't have that much choice in your life, which is one of the big lessons I've learned. I was going to be a designer whether I wanted to be a designer or not.
One day I realized that that was not what I wanted to do for the rest of my life. I wanted to chase my dream and I wanted to show my young daughter that it's okay to chase your dreams. So, I set out to do it.
Fashion was always with me since I was young. I would always be like, 'What do I want to be when I grow up?' And it hit me when I was young - I wanted to be a fashion designer.
Screenwriting you don't necessarily have to do the job of the costume designer and the prop master and the set designer. It's more just about finding the visuals and finding these characters through dialogue.
I wanted to go and I wanted to drive the miles for no pay, I wanted to set up the rings, I wanted to set up the chairs, I wanted to go to training six-seven days a week for hours upon hours and blow myself up to where I can only work on instinct. I wanted to sleep in my car. I wanted to do all of that.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
Growing up, I wanted to be a fashion designer, which I'm still in school for. Like, that's what I want to be: a fashion designer.
You see me, I wanted to be fashion designer. I became fashion designer. So I think that everything is possible.
How a designer gets from thought to thing is, at least in broad strokes, straightforward: (1) A designer conceives a purpose. (2) To accomplish that purpose, the designer forms a plan. (3) To execute the plan, the designer specifies building materials and assembly instructions. (4) Finally, the designer or some surrogate applies the assembly instructions to the building materials. What emerges is a designed object, and the designer is successful to the degree that the object fulfills the designer's purpose.
When I was young, I used to watch videos of Ali boxing, with my dad. It set me on the road. I wanted to be like Ali. I wanted to have my own Nicki shuffle and everything.
I would really think twice about being a fashion designer if I was young right now, especially being an independent fashion designer the way I started it.
I was very aware of the fact that I was a young designer, and I didn't want to fall into the trap of 'mother of the bride' dressing and 'occasion-wear.' I wanted to make sure that girls my age were wearing it and that there was a cool factor to my clothes.
This site uses cookies to ensure you get the best experience. More info...
Got it!