A Quote by Judi Dench

And then it was working with Bob Hoskins, who I had never worked with before - except radio. It was like being given a wonderful meal - full of the things you love most. — © Judi Dench
And then it was working with Bob Hoskins, who I had never worked with before - except radio. It was like being given a wonderful meal - full of the things you love most.
I would never know how good I was if I didn't have Bob Arum. Bob Arum is white, Jewish; He was working for prosecutor's office. I'm black, an ex-convict, ex-number runner. Who would be most likely to succeed? It would be Bob 100-1. Yet I beat Bob on everything we ever done, with love.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
Don't think I am going to let Bob Hoskins take all his clothes off and me not take a look? I just had a quick look up and down, like you would.
Thank god now for social media and just e-commerce. Now designers have a direct pipeline to their customer and access to her like they never had before, like they never could before. Clothes can happen now that never would have had a chance in the traditional chain of command of the way things worked.
Working with Disney is really and truly like working with a family. Everyone is so supportive and so wonderful. I've worked with Disney since I was twelve, and they've given me so many opportunities that I'll forever be grateful for.
I feel like I don't have to win anymore. I've had a wonderful career. Tennis has given me so much, things I would have never expected in my life. I feel honored to even be a part of such a wonderful sport.
I never had worked in high fashion before, had never experienced it when I was a model before. I appreciate it, being able to work with such talented people; it feels like a gift now. I think for everyone everything happens at the right time, and this is my time.
One of the things that made Bob so unique and wonderful is that he had a genuine style, like Balanchine, like de Mille.
I worked on 'Who Do You Love?' for, like, six months, really trying to, like - when I got it, I got it, but I was working on it for a minute cause I never had nothing to it. I couldn't get the flow or nothing. Then I just got it.
I love working with Bob Zemeckis. I think he's amazing and wonderful to work with.
'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.
Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.
You become responsible for a human being, and a lot of people talk about how they've never felt love like this before. You hear all these things before you have a child, and they're all kind of true. It's just dealing with the overwhelming responsibility of like I'm the protector of this child that affected me the most.
I could have gone on to be an engineer full time, except that there was more demand for my playing. But the love of working the board never leaves you.
When I started in radio, I worked for free. I lived at the radio station. Then I worked for very little money.
I spent a lot of my time working in the American module, and he would stay in the Russian segment working on his things, and we'd meet up at meal times. So it actually worked out very well.
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