A Quote by Judith Butler
I think maybe it's more important to know the traditional concepts we have for thinking about how bodies are feminine or masculine or how sexuality is, straight or gay. These categories very often fail to describe the complexity of who we are.
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I can explain how a person with autism thinks. I am very, very interested in how people think. It's been a gradual process of learning more and more about how my thinking process is different. You know it's bottom up - you take specific examples to make concepts and then I put them in categories.
My sexuality is straight transvestite or male lesbian. It seems we are beyond the idea that I am gay and hiding it. If I had to describe how I feel in my head, I'd say I'm a complete boy plus half a girl. I don't seem to have the sixth sense that women have or their stronger senses of taste and smell. Gay men can also have it but straight men don't.
You're an evolving and transforming person, right? And how do we capture that dynamics of sexuality in that complex sense? There may be times when someone feels oneself more overly masculine or maybe more feminine, or where the terms themselves become confused, where passivity and activity also don't maintain their usual meaning.
It's not like it's a brand new vocabulary that permits to have a new reality. It's rather a new vocabulary that lets us see that our lives have always been more complex than traditional categories allow. So, I think, you know, maybe the introduction of new words permits us to rethink what we've taken for granted about what forms bodies take, what the name is for certain kinds of sexual, intimate relations, how we think of a life.
I wanted to create a book that was unafraid of black bodies, yet super interested in thinking about the relationship of love to body and sexuality without relying on tired understandings of "gay" "bi" or "straight."
I'm not generalizing anymore about men and women, because I think these old terms of "masculine" and "feminine" are going very fast with the rise of transgender rights that are questioning what all these categories are.
Everyone has a masculine and feminine side; masculine qualities and feminine qualities. We've all got these sides to ourselves. And clothes can tell that story. People would think this is very unsympathetic, but I would always say to people, you don't actually need to go through with an operation, can't you just be? You are who you are! But then people say to me, "Oh, you're really dreadful, how would you know?".
I was very worried about being unattractive because I think I look quite masculine. Sometimes I feel more masculine than feminine and I don't like it.
I think, almost, the film industry thinks that by making gay characters super masculine, it's an attempt at saying being gay is OK if you act like straight people. I don't think we should just have gay characters who are 100 percent femme, either. I just think it's about that mix and creating more diverse gay characters.
My style very much leans towards the masculine, but I think I am feminine in it - I like the feminine body in masculine shapes. The androgynous look suits me.
I'm a straight guy and I date women, but I get on really well with gay guys. I'm very comfortable with my sexuality. The weirdest thing for me is when straight guys get really freaked out by gay guys. It's almost like they're insecure in their own sexuality. For me, I can be in a room full of gay men and have fun.
The strong emergence of pro-feminine values in highly masculine societies signals that traditional masculine structures will continue to be challenged as the Millennial generation grows up and gains even more influence.
The Most Secret Quintessence of Life is an original work filled with rich, new research, relying on important primary literature which has not, until now, been plumbed and digested. In this book, Chandak Sengoopta offers both a history of hormone discovery and a chronicle of how this discovery transformed our concepts of the body and how our existing concepts of sex and sexuality, in turn, informed our concepts for understanding hormones.
The original fairy tale was about the youngest sister going into a room in the castle and finding all the bodies of the wives that came before her - she is confronted with truth, thinking about how often we think we know people and we really don't.
Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.
I have to object to this notion that children form their sexuality and their sexual identity from their parents. The truth is that scientists, biologists, we don't know how sexuality is formed in people. And to suggest that people are going to be gay if they're raised by gay parents is just scientifically unfounded.
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