A Quote by Judith Durham
Never did I dream that while I was feeling so self-conscious and inadequate in the '60s, I was actually creating The Judith Durham Look!
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I did get bullied and I did get picked on and I did have that feeling in my gut of being incredibly self-conscious. I naturally gravitated towards my elders because I didn't know how to speak or be present with my peers.
I work in the '60s more than I've done anything else. I did a movie, called 'Down with Love', in the '60s. I did a movie for HBO about the Johnson administration in the '60s.
I work in the '60s more than I've done anything else. I did a movie, called Down with Love, in the '60s. I did a movie for HBO, about the Johnson administration in the '60s.
I'm very, very lucky to be a working actor, but I've also been careful. I don't just take anything. 'Durham County' came to me. You have to look at the quality of work you do, and 'Durham' set the standard. I wait for things that keep me really interested.
You have a dream, and you hope you can help someone. But to actually find out that you did that, it gives you a warm feeling inside.
Everybody has that feeling when they look at a work of art and it's right, that sudden familiarity, a sort of...recognition, as though they were creating it themselves, as though it were being created through them while they look at it or listen to it.
I just like watching people who really are not self-conscious, who aren't aware, because I fear that one could become too self-conscious, too artful, as an actor. Sometimes if you look at somebody, you can extrapolate from their exterior what might be happening in their interior. I'm nosy.
I never had a magazine, I never listened to a certain band. Actually, I was listening to bands from the '60s and '70s with my dad, so I knew more about The Beatles than I did about what was topical in my life.
My dad, bless his heart, always told me I was beautiful, so I was never self-conscious in that way. But when you look at the images on TV, you think you need to look like that in order to be sexy.
If humans did not manufacture some of their own to appear like better people, people would not aspire to be someone else. They would stop dreaming. And if people didn't dream, they would be awake to discover the wonderful misery of being. There are no singular great people. There is only a small percentage of people manufactured to look significant, for the purpose of creating the feeling of mass insignificance.
Like most girls I'm always really self-conscious about do I look fat, if my legs are short, if I'm weird shaped, but when I go on stage, man, it never occurs to me. I think I look beautiful.
I was never a 'bad' kid, but I did get into minor juvenile trouble. Look, I grew up in Brooklyn. This was the '60s, and the neighborhood was rapidly changing and not without its problems. All the kids of the neighborhood 'did their thing,' breaking windows and the like. I was no different.
When you are self-conscious you are in trouble. When you are self-conscious you are really showing symptoms that you don't know who you are. Your very self-consciousness indicates that you have not come home yet.
At that age, filming Harry Potter, I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view. And so when Jason Isaacs started throwing up these ideas, I thought, "Whoa. What an interesting way to look at acting." Which is why, again, I would do theater.
I don't think much new ever happens. Most of us spend our days the same way people spent their days in the year 1000: walking around smiling, trying to earn enough to eat, while neurotically doing these little self-proofs in our head about how much better we are than these other slobs, while simultaneously, in another part of our brain, secretly feeling woefully inadequate to these smarter, more beautiful people.
I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view.
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