A Quote by Judith Durham
Generosity of spirit is worthwhile. I've had many requests over the years to attend things, to sing somewhere. I try not to turn things down if I don't have to. The easiest thing is to say you can't manage it, but often it's more rewarding to agree to do something for someone.
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I remind myself that the universe is 15 billion years old, and I'm only 46 years old, so my perspective is sort of limited and fear-based and skewed. So I sort of turn things over to whatever you want to call it - whether it's God, or the universe or the spirit of the universe - and I just sort of turn things over to God and hope that this spirit that has been around for 15 billion years will have a better understanding of how things should be than I do.
It's one of the hardest things in the world to sustain a monogamous relationship for many years. People out there who have been with their partners for 30 years or more - I salute you. But it's just as hard to admit something isn't working and then try to manage a civilised separation as best as you can.
When someone gets sick, it is easy to get walked all over, walk all over people, and be so beat down you agree to things you would never normally agree to.
Studios are often very nervous of things they don't recognize, by which I mean things that haven't been done before, and therefore, they take a really original idea, and they recognize the originality, and then they try and make it look like something they recognize. So they try to turn it into something far more procedural.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
When I started that's how I wrote because I didn't know any better. I was just like "I want to make music." Then there were all these things that I learned to get myself over certain humps, but I think it just comes down to: do I have something to say or not? If I'm feeling something I should try to get that out, and maybe it's not words, but trying to turn it into something.
On stage, it is a tremendous thing to be able to make people laugh. But one of the things that I have always loved is when I am in shows where you can turn the audience upside down and make them cry or move them. That is when things are the most rewarding.
A few years ago, I had an interest in making things that felt more like "pieces." That was when I was making a lot of stuff that you could call beats, and it dawned on me that I could say much more nuanced, precise things if I tried to make them more composed. It sounds a bit corny, but I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.
For every nation that lives peaceably, there will be many others to grow hard and push their arrogance to extremes; the gods attend to these things slowly. But they attend to those who put off God and turn to madness.
Did you ever have a conversation with someone who misunderstood everything you had to say? It's exhausting, and the ironic part is that the more you try and explain yourself, the more mixed up things become. Your best friend knows when you're kidding, venting, and tired. He or she knows you and therefore doesn't read into the things you say.
Fine things in wood are important, not only aesthetically, as oddities or rarities, but because we are becoming aware of the fact that much of our life is spent buying and discarding, and buying again, things that are not good. Some of us long to have at least something, somewhere, which will give us harmony and a sense of durability—I won’t say permanence, but durability—things that, through the years, become more and more beautiful, things we can leave to our children.
I'm something of a black belt at break-ups. I have had two long-term relationships in my life, both of 10 years, both resulting in children, and both very much over. Things end. It is how you manage them being over that's key.
There's only so many things to sing about, so what's going to make a song appeal to you more than someone else's is just a unique way of saying the same thing.
I want to turn the whole thing upside down I'll find the things they say just can't be found I'll share the love I find with everyone We'll sing and dance to Mother Nature's song I don't want this feeling to go away.
If you can run around the corner and say hello to someone do that instead of emailing. It's always more rewarding; the connection is always more authentic. If you've got something to say and you can say it someone's face, it's so much better, healthier.
I get to do my own thing with music. I get to write the songs and sing the songs. As an actor, you have to do what someone else tells you to do and say someone else's words. And you're limited by the way you look and music is just more rewarding creatively for me.
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