A Quote by Judith Durham

I lost the power to write and I had to sort of relearn how to read and write to a certain extent and speak fluently. — © Judith Durham
I lost the power to write and I had to sort of relearn how to read and write to a certain extent and speak fluently.
Like, even when I speak, I think I speak the same way I write. I kind of see it a certain way, and it leads me to write it exactly how I'm seeing it.
I had - there were three strokes, and I lost my ability to read and write and speak, and it really put me by the wayside for a number of years.
When I broke my leg, I never thought I'd ever be skating again let alone be standing on a world podium. I had to relearn how to skate, relearn how to even stand on one foot again. I had to relearn all my technique.
To a great extent, I still write for myself, write what amuses me. Fortunately, I have a quirky sort of strange sense of humor that appeals to other people and that's good. I still sort of write for myself though there are some areas of the book I feel I have to put in and I feel I have to deliver.
The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
I wanted to be a writer that had an impact. I wanted, and still I say the same thing, I want to write books that change people's lives, change how we think and live and read and write. I wanna write books that are read in 50 or 100 years.
Language the most forcible proceeds from the man who is most sincere. The way to speak with power, or to write words that pierce mankind to the quick, is to speak and write honestly.
I write to get myself writing. That and read Wallace Stevens' "An Ordinary Evening in New Haven" for the umpteenth time. Certain authors for me, certain books, just by reading a phrase I feel I can write.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.
To read and to write. Some writers have to be told to write. They think their job is to meet agents and have experiences and they can just be rich and famous. Their job is to write. Some really don't realize that. And you can't write unless you read.
When you're given a certain amount of power - like, you're a writer and an employed writer, and you put pen to paper, and people are going to read what you write - that's power.
For so long, we had to write to pay a bill, we had to write in many instances where maybe you weren't even inspired to write because it was your job. That's how passion, creativity, and love gets killed.
I had the fortune or misfortune to learn how to read fluently starting at the age of three. So I had read maybe 150 books by the time I hit 1st grade. And I already knew that the teachers were lying to me.
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
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