A Quote by Judith Durham
That's what has always been so surprising for The Seekers - when you think they try to create pop stars in a contrived, manufactured way and we were just four people who just happened to meet and sing together.
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Well, I think that's been my career. I always choose stuff that's the same, yet different. These projects just happened. I didn't plan it out that way. I just happened to be free, and the director, Dan Pritzker, decided to do his film again. I say again because we did it seven years ago. A lot of the actors were not available, so he just couldn't wait anymore and he recast everything. Me and two other characters are the only people involved with the new one, who were involved with the previous one.
The Beatles and Ray Charles were in the same charts together, and that was just called pop music - it wasn't called soul or rock. The best pop music just stands out as something that's just original, and I think it should all be called pop again.
I think that breaking into the mainstream - it was just the right cycle of music for us in Blink-182. People were kind of over the boy-band, pop-princess, manufactured sensibility, and were excited for guitars and angst and energy and enthusiasm, which is our thing.
But since day one, we've always been kinda up against it. So at the end, it's not surprising that we were kind of led along for so many months and didn't know what the fate of the show was gonna be. It was... in a weird way, just kind of that was the way it's always been.
It may be just one facet of your personality, or it may not even be a facet but only a pretension. You can show this false face with no problem when sometimes you meet on a sea beach, sometimes in a garden, sometimes under the moon and the stars, but when you really start living together then the reality starts surfacing. The real person is a hell and all that sweet talk that had happened under the stars becomes just lies.
We grew up with all the Fat Wreck Records and all the Epitaph bands, that era. We mixed it up together. We were never purists of being just pop or just pop-punk. We always wanted to blend everything that we love.
People don't listen to one radio station. On iTunes you can mix different worlds and bring country and pop and folk and live music together with a mass audience. I could have sung 'Easy' in a country way but I just sang it how I sing. I think it's a really nice blend.
The living together is very important in a way. It's important for writing. It wouldn't be important if we were like just getting other people's numbers together, we'd just have to meet at rehearsals, but writing is something almost completely different.
I think there have been so many documentaries about pop stars, made by pop stars. It's a new phenomenon. People making these movies where they praise themselves and show their own weaknesses. it's all designed to make you love them even more.
I never got the chance to meet Linda Brown; there were several times we were supposed to meet or be on the same stage together, but life gets in the way, and it never happened.
A lot of people think YouTube is quite easy, when it just isn't. I've been doing YouTube for six years now, and I'd say the hardest years were definitely the first three or four. You have to constantly put out content that is good just to make people come back to your channel, and I work every single day just to try and expand my brand.
Image and music always works together for me. I think they're equally important and I've always done things in a way that people remember them by, but I don't set out to just shock people...because that's very easy, a lot of people could do that, I just like to do things the way that makes me happy really. And sometimes that's too much for certain people, but, you know, I try to push the envelope to make the boundaries wider as far as what you can and can't do in music.
About writing I learned that always, always, always it's necessary to haunt your settings. I'm a big researcher. All my fiction is based on tons of digging. But the vital importance of actually traveling to the settings of a novel really hit me. And it's not just the setting details, not just the visuals and other sensory data, that will pop. You'll find surprising clues that swerve your story in whole new, deeper, surprising, more organic ways.
It's that same quality I've been talking about. It's neither contrived, nor surprising and smart, not baffling, not witty, not interesting, not cynical, it can't be planned and it probably can't even be described. It's just good.
I don't want to be famous or recognizable. I don't want to be critiqued about the way that I look on the Internet... I've been writing pop songs for pop stars for a couple years and see what their lives are like, and that's just not something I want.
You don't look at the big problem all together, because I think it's a little intimidating. So you just take it one day at a time, meet the people who are going to meet with you, for you, and who you're going to work for, and really try to do the best job that you can. That's all teamwork, and that's what space travel is about.
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