A Quote by Judith Durham

I was shy. But when I sang I felt really empowered. — © Judith Durham
I was shy. But when I sang I felt really empowered.
I was shy: I sang at home but not in public. My dad's side of the family sang, so I would hear their voices and think mine couldn't compare.
And I was very shy as a kid; if you sang me 'Happy Birthday,' I would cry. Quite shy. So the idea of being an actor, much less a model, was just out of this world.
The Internet has empowered us. It has empowered you, it has empowered me, and it has empowered some other guys as well.
I can be very shy. I really like to stay at home with my people because I'm really shy. My wife is as well; we're both really shy.
I've never been happy with the quality of my work. I always felt as though my musicianship was lacking and that I should have worked harder at it when I was younger. As I sang and sang, I improved.
I'm concerned with the lost, the lonely, the shy. I think shyness is in some ways more widespread now than formerly. I used to be shy myself. Of course, you can't be me now and remain shy, but I remember very well what it felt like.
I felt so proud to be having a baby and so excited. And I felt closer to other women - to my sisters, to my mom. I felt empowered, like, 'I've given birth. I did it! There's nothing I can't handle.' I've really enjoyed this time that I have taken to be with Suri, as well as the challenges of the first couple of months: feeding and pumping, learning to decipher what each cry means - is she hungry? Is she tired? Does she need a fresh diaper? - and figuring out how to really help her.
It's really important for your team to be not just feel empowered but actually be empowered.
I never really sang for anyone, apart from in the shower or with my best friend. I was shy. I didn't want to take voice lessons. I knew I could sing, but I just didn't tell anyone.
I concentrated on Rossini when I began, and I never really felt any competition. I sang in the best houses, and I believed I was always a first choice. I was lucky in a way - I never felt there was someone else who was getting the roles in another theatre and that we were competing.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
I was shy as a child. Now I'm not really shy any more, unless I'm with shy people. I find it contagious and I don't know what to say. But I don't think shyness is something one should feel apologetic about.
Luther Vandross was a musician who sang. So after a while he was also the number one background singer in New York, so he would sing for Bette Midler, he sang on "Fame," he sang for David Bowie, he sang for - whoever needed backgrounds, he would arrange the parts and hook your record up. He also sang on commercials. McDonald's, Budweiser.
I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.
All through the deep blue night The fountain sang alone; It sang to the drowsy heart of the satyr carved in stone. The fountain sang and sang But the satyr never stirred- Only the great white moon In the empty heaven heard.
I've done the Kennedy Center many times. I've sang for Marian Anderson. I've sang for Marion Williams. I've sang for Lionel Hampton.
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