A Quote by Judith Guest
Some people have an unrealistic expectation when it comes to getting published; the fact is most publishers will turn down your work which is why you need to be persistent.
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I tend to turn down books originally published as e-books. As for selling books directly to e-book publishers, I would do so only if all traditional publishers had turned them down.
Again, we turn down most books that have been self-published unless they have a special track record. We have taken a small number on, however, and sold them to major publishers for a nice sum. But that is an exception to the rule.
They believe that if they do get published, a wonderful new life is in store. It will turn out that deep down they are really valuable people and will have lots of money from now on and really cool people like Ethan Hawke will be dropping by all the time. But it's a lie. Being a published writer will make them long to be ONLY as mentally ill as they are now. Their current level of obsession and doubt and self-loathing will look like the good old days. Honest.
You don't hire for mediocrity. Instead, you bring people onto your team because you know that they'll make a valuable contribution and turn in amazing work. But, in order to have that expectation, you need to make sure you're fostering an environment that allows them to do so.
I'm a reader of Chinese literature, I like their films, but also: I've had great difficulty getting my work published in China; very little of it has been published there. The first two attempts to have all of my work published, for instance, were refused without any reason ever being given.
In the usual way I submitted manuscripts to publishers. This was not so much a feeling that I should be published as a wish to escape the feared and hated drudgery of "normal" work. In my twenties some of my work for children was published by Macmillan. However, I was twenty-seven before my adult novel, The Birthgrave, was taken by DAW Books in the USA. This enabled me finally to stop doing stupid and soul-killing jobs, and start working day and night as a professional writer. It felt like a rescue from damnation, and still does.
Fewer publishers mean you have a limited set of aesthetics, so you know who can and can't send your work to. You have more situations where you take the offer or don't get published or you learn to self-publish.
Why waste time proving over and over how great you are, when you could be getting better? Why hide deficiencies instead of overcoming them? Why look for friends or partners who will just shore up your self-esteem instead of ones who will also challenge you to grow? And why seek out the tried and true, instead of experiences that will stretch you? The passion for stretching yourself and sticking to it, even (or especially) when it’s not going well, is the hallmark of the growth mindset. This is the mindset that allows people to thrive during some of the most challenging times in their lives.
I used to feel defensive when people would say, 'Yes, but your books have happy endings', as if that made them worthless, or unrealistic. Some people do get happy endings, even if it's only for a while. I would rather never be published again than write a downbeat ending.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
Nowhere can anyone find a #? quieter or more untroubled retreat than in his or her own #? soul . We need to turn some things down and turn some things off. We need to be #? quiet .
Realizing your goal, resolution, or transformation is a journey. Change, like any meaningful endeavor, proceeds sequentially through steps. The journey begins with the contemplation stage of specifying realistic goals, getting ready, or getting psyched. The planning stage is all about prepping. How exactly will I do this thing? At some point you will jump from preparing and planning to perspiring, the work of implementing the new, desired behavior. Getting there is wonderful, but we need to keep you there, which entails persevering through slips and, finally, persisting over time.
I really think that everybody would like to be an actor. Why wouldn't they? It's great work if you can get it. The one thing that prevents most people from saying, 'I'm just gonna go to Hollywood!' is that it seems unrealistic.
Art demands persistent work, work in spite of everything, and continuous observations. By persistent, I mean not only continuous work, but also not giving up your opinion at the bidding of such and such a person.
It is important to send your work to as many publishers as possible. For every one publisher who may show interest in your work, there will be at least five who will reject you.
You can't actually hire and fire people inside of an open source community. Which means that getting people to work together is much more along the lines of making sure that people have the tools they need both to get their work done but also to know what is being done by other people and how to take that to their employer and tell that story to their employer and to show this is why the community is good and this is why we're working on these sort of things because it helps us over here.
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