A Quote by Judith Guest

I can write for a long time on one novel and not get tired. — © Judith Guest
I can write for a long time on one novel and not get tired.
I've been writing for a long time, and I've loved comic books for a long time - forever - but I had to learn how to write in a different way to write sequential art for a graphic novel. It's been an interesting transition.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I always was interested in prose. As a teenager, I published short stories. And I always wanted to write the long short story, I wanted to write a novel. Now that I have attained, shall I say, a respectable age, and have had experiences, I feel much more interested in prose, in the novel. I feel that in a novel, for example, you can get in toothbrushes and all the paraphernalia that one finds in dally life, and I find this more difficult in poetry.
To write a novel may be pure pleasure. To live a novel presents certain difficulties. As for reading a novel, I do my best to get out of it.
You know, my friends, there comes a time when people get tired of being trampled over by the iron feet of oppression. There comes a time, my friends, when people get tired of being plunged across the abyss of humiliation, where they experience the bleakness of nagging despair. There comes a time when people get tired of being pushed out of the glittering sunlight of life’s July and left standing amid the piercing chill of an alpine November.
It takes a long time to write a novel when you have to keep interrupting your work to earn money.
There's a lot of ignorance about how long it takes to write a novel. There's a lot of ignorance about how long a novel is in your head before you start to write it.
I think people feel for a long time that they ought to know how to write a novel in two drafts.
I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
I always wanted to write. While I was on a long surf trip, supporting myself with various day jobs, I was working hard on a novel. My third novel, in fact.
I lose patience with long stories. I get people who go, "Crumb, do some long stories, do a graphic novel." Novel-schmovel.
To say, "Well, I write when I really get into it" is a bunch of bull. Put the paper in the typewriter, stare at it a long time, get snowblindness if you have to, but write something.
When you write a novel you have to live with the characters for a long time. So I prefer short stories. I never wrote anything more than 250 pages.
I feel that whatever virtues the novel may have are very much connected with the limitations you mention. I am not writing a conventional novel, and I think that the quality of the novel I write will derive precisely from the peculiarity or aloneness, if you will, of the experience I write from.
I like horror, but I tend to like it as seasoning. I'd get very bored if I was told I had to write a horror novel. I'd love to write a novel with horror elements, but too much, and it doesn't taste of anything else.
When people write a novel, they want to have that reach and that impact. To get it with a first novel, you can either see it as an albatross or a calling card.
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