A Quote by Judith Jamison
I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.
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I've been called a race traitor, prejudiced about white people. It's ridiculous... I have a really, really diverse crowd. Most comedy clubs appeal to white audiences. I have a very mixed crowd. I have a lot of visibility in the black audience.
Those of you who speak only English, applaud [audience applause]. Those of you who speak only Spanish, applaud [audience applause]. [In mock incredulity] Then how do you know what I just said?
Always remember that the crowd that applauds your coronation is the same crowd that will applaud your beheading. People like a show.
Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.
The Full Sail crowd, it's a pretty unique and a pretty distinct environment. It's very close quarters and a bit more of what I'm used to from my days on the independents. But the truth is, I sometimes think that it's harder to win over a small crowd sometimes than it is to win over a big crowd.
It's fine with me if people want to applaud between movements of a concerto. It doesn't bother me - it's part of performance experience. Sometimes when they applaud if I'm still playing it's not as good, but there's always a way around it. Actually the applause gives me a little rest and chance to stretch, too.
Christ was crucified because he would have nothing to do with the crowd (even though he addressed himself to all). He did not want to form a party, an interest group, a mass movement, but wanted to be what he was, the truth, which is related to the single individual. Therefore everyone who will genuinely serve the truth is by that very fact a martyr. To win a crowd is no art; for that only untruth is needed, nonsense, and a little knowledge of human passions. But no witness to the truth dares to get involved with the crowd.
I think a lot why our lives shows are good is because of the crowd, and because of the energy that they bring. Also, there was a time when a lot of the people that came to our shows were a bunch of drunk bros. At a certain point, we decided we were going to start calling them out. We also decided to become more gay-positive and feminist and all that stuff, and that we were going to be really vocal about it. After that, our crowd became a lot friendlier, and honestly a lot more fun.
At the end of every stage performance, the audience all applaud me for doing my job, but I have friends who work in offices who don't get that.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it. What do I do in that situation? Get through it.
I love New York audiences, because they're used to going to shows, and you really notice it. They laugh and applaud and do all the things that you want an audience to do.
It's always great to see grey hairs in a crowd; people who are older have been to a lot more gigs than the kids; they've seen everything, so seeing them in the crowd means we've earned their applause.
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the character's face really helps get the message across. On stage, you can't do that. But the stage has that live feeling that you can't get anywhere else because the audience is right there.
It's fun, and a laugh for you... you can boo me and feel happy about yourself because you're part of the crowd that did that. But deep down there were people in that crowd booing me because of my Aboriginality.
When your crowd of attendants so loudly applaud you, Pomponius, it is not you, but your banquet, that is eloquent.
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the characters face really helps get the message across. On stage, you cant do that. But the stage has that live feeling that you cant get anywhere else because the audience is right there.
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