A Quote by Judith Jamison

I was a protege; by the age of 10, I was studying with ballet choreographer Anthony Tudor in a class of adults. — © Judith Jamison
I was a protege; by the age of 10, I was studying with ballet choreographer Anthony Tudor in a class of adults.
When I was about 12, I was studying Chinese and ballet with my brother, and one morning Jonathan said to me, 'I don't think I'm going to go to ballet class anymore,' and I looked at him and said, 'You know, I don't think I'm going to go to Chinese class anymore.'
I didn't grow up on dance class. I was always natural. I've been in the industry since I was eight and I've always had a choreographer since then. But I never really took ballet or anything like that.
I announced at the dinner table when I was 11 that I wanted to be a ballet dancer. But my goal changed to musical theater after the choreographer Robert Joffrey saw me perform while I was on scholarship at the San Francisco Ballet School.
The choreographer cannot deliberately make a ballet to appeal to an audience, he has to start from personal inspirations. He has to trust the ballet, to let it stand on its own strengths or fall on its weaknesses. If it reaches the audience, then he is lucky that round!
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
So I'm studying ballet every day and really training so people will see me as a ballet dancer, which no one's seen before.
At age 10, I was better at ballet than I think I will ever be at any physical activity for the rest of my life.
Anthony: Now lower your dress a little- Roslynn: Anthony! Anthony: This is no time for offended modesty... You're the distraction. Roslynn: Och, well, in that case. Anthony: That's quite low enough, my dear... Roslynn: I was only trying to help, Anthony: Commendable, but we want the chap to ogle you, not bust his breeches.
My first ballet class was on a basketball court. I'm in my gym clothes and my socks trying to do this thing called ballet.
Incredibly, nearly 70,000 Young Adults between 15-39 are diagnosed with cancer each year. 10,000 will not survive. This is a very important stat for me, because I fall in this category. I am one of these statistics. Unlike every other age group, there has been no improvement in the 5-year survival of young adults in 30 years. That means many young adults have the same chance of getting cancer and dying from it as they did in the 1970's. This is not OK.
My first ballet class was on a basketball court. I'm in my gym clothes and my socks trying to do this thing called ballet. I didn't know anything about it.
We must first realize that dancing is an absolutely independent art, not merely a secondary accompanying one. I believe that it is one of the great arts. . . . The important thing in ballet is the movement itself. A ballet may contain a story, but the visual spectacle . . . is the essential element. The choreographer and the dancer must remember that they reach the audience through the eye. It's the illusion created which convinces the audience, much as it is with the work of a magician.
I started taking ballet lessons when I was 4, and I was performing in ballet companies when I was 10, and I did summer stock in Miami Beach when I was 12, and finally I said, 'I gotta go to Broadway.'
We became astronomers thinking we were studying the universe, and now we learn that we are just studying the 5 or 10 percent that is luminous.
We are not telling Tudor history; we are creating ' Wolf Hall ' from novels, which are already a rereading of Tudor history.
For students today, only 10 percent of children from working-class families graduate from college by the age of 24 as compared to 58 percent of upper-middle-class and wealthy families.
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