A Quote by Judith Love Cohen
Do something you really like to do and get paid well for it.
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'Banshee' was kind of a lark. I was getting paid pretty well to write movies no one was making - and so I decided to try my hand at TV and get paid much less to actually get something produced.
I have nothing to complain with the UFC because I get paid really well in the UFC. I think you're paid according to your work, and I think that's really cool. That's why I want to be fighting all the time, to show that I'm the best, that I'm evolving, because the more you show, the more you get paid.
I do get paid well as an MMA fighter, but this isn't boxing and I feel like we should get paid like this is boxing.
Cycling has never felt like a job. To get paid for something that you absolutely love is amazing. I don't feel like I work. I just do it because I love it and I get paid to do it. I just think: 'What an easy way to earn a living.'
Initially, dancing for me was just for pocket money. The dancers are paid well and you get paid on a daily basis. Eventually when I got promoted as an assistant choreographer I was getting paid more. This was during my college days.
When I was younger I didn't really know what a director did: I knew I loved movies and I figured the actors made it up! And then when you get to 12 years old you start thinking, What does a director do? It was really an organic beginning: this looks like something I want to do, I can't believe people get paid to do it!
I do not think that anybody should get paid for lousy performance. I've said that for a long time. If you work hard and you do good, you get paid well.
I really can't complain about actresses who get paid to be dumb. Most of us can't get paid to be smart.
The design of the Mac wasn't what it looked like, although that was part of it. Primarily, it was how it worked. To design something really well, you have to get it. You have to really grok what it's all about. It takes a passionate commitment to really thoroughly understand something, chew it up, not just quickly swallow it.
Eh Bien you like this sacred pig of a country?" asked Marco. "Why not? I like it anywhere. It's all the same, in France you are paid badly and live well; here you are paid well and live badly.
I came to the conclusion that most people in America would really like to be able to get a job where they think they're doing something noble and nice and good and it isn't just for the money. But the reason they hate what they call the cultural elite is that they see it as a class that's grabbed all the jobs where you can get paid to do something that isn't just for the money - if it's art, if it's charity, if it's intellectual, if it's political, whatever it might be.
If you really want to break it down, on a small movie everybody knows that they're there for artistic reasons to do something special to make something amazing, and they're not going to get their normal hotel and they're not going to get their trailer, but they're willing to forgo that - and of course the salary - because they want to do something really special. On a big movie, most people are getting paid a lot of money, and so they're there to do the work.
Everybody, every tradesman that worked for Shafin or built my house got fully paid, well paid. Everybody got paid. I would like that to be said if I could because I haven't said it before, and it's important. People kind of think we left all these plumbers or electricians without getting paid.
I remember being so nervous to tell my little sister. I was like, 'I have something to tell you... I'm gay.' And she was like, 'Cool, do you have a boyfriend?' And I was like, 'Yeah,' and she was like, 'When do I get to meet him?' I was, like, 'Really? It's that simple?' So it went really well.
You really, really feel like you have no control [participating in franchise] . I mean, it's a huge juggernaut, especially when something becomes part of the cultural landscape in a way as well. It's really scary because you get trapped and you get scared of changing, which is the worst thing that can happen if you want to be any kind of artist.
The general systems of money management [today] require people to pretend to do something they can't do and like something they don't. It's a terrible way to spend your life, but it's very well paid.
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