A Quote by Judith Viorst

Mid-grade readers don't have short attention spans, they just have low boredom tolerance. — © Judith Viorst
Mid-grade readers don't have short attention spans, they just have low boredom tolerance.
As a reader, I have a very short attention span and a low tolerance for boredom, and I find that comes in handy with my writing. If I get bored writing something, I pity the people who will then try to read it.
We live in a time of short attention spans and long stories. The short attention spans are seen as inevitable, the consequence of living our lives in thrall to flickering streams of information. The long stories are the surprise, as is the persistence of the audience for them.
Attention spans are short. Like, eight seconds short. That's why it's necessary to grab people's attention immediately.
Deep attention, the cognitive style traditionally associated with the humanities, is characterized by concentrating on a single object for long periods (say, a novel by Dickens), ignoring outside stimuli while so engaged, preferring a single information stream, and having a high tolerance for long focus times. Hyper attention is characterized by switching focus rapidly among different tasks, preferring multiple information streams, seeking a high level of stimulation, and having a low tolerance for boredom.
Becoming a father allowed me to become a much better composer, because it allowed me to have tremendous patience. I have much more tolerance for opposing opinions, short attention spans, changes of heart. And faith in the future.
Tolerance is a cheap, low-grade parody of love. Tolerance is not a great virtue to aspire to. Love is much tougher and harder.
The media, the polls and our legislatures fortunately have short attention spans.
The ultimate pitch for an era of short attention spans begins with a single word - and doesn't go any further.
Do you know why language manifests itself the way it does in my work? It's because I understand short attention spans.
I love the necessary ambiguity of short stories - there simply isn't time to render every detail, so much of the story that orbits the literal prose must happen in the reader's imagination. Who knows, maybe the dwindling attention spans means a lucrative future for short story writers.
Today's children have very short attention spans because they are being reared on dreadful television programmes which are flickering away in the corner.
In this fragmented world, with such short attention spans, you've got a couple of episodes to make an impression. And if you don't, you start to lose your audience in a big way.
There is a lot of talk in publishing these days that we need to become more like the Internet: We need to make books for short attention spans with bells and whistles - books, in short, that are as much like 'Angry Birds' as possible. But I think that's a terrible idea.
It's not our fault our generation has short attention spans, Dad. We watch an appalling amount of TV.
Land of snap decisions, land of short attention spans, nothing is savored long enough to really understand.
I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
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