A Quote by Judith Viorst

I always credited my mother with inspiring me to be a writer because she was such a passionate reader. She read poetry to me as a child. But rather late in life, I've come to appreciate my father, the accountant. He was a solid, organized, get-the-job-done kind of person-and you need that piece of it to be a writer, too.
My mother wanted me to be a writer. But she was a child of the Depression and never understood that she wasn't poor. So, you know, the idea of not having a job, it would creep through. But she tried very hard to be subtle about it.
It's good for a writer to come from journalism because it gives you the tools. A journalist knows that he or she can lose the reader in six lines, so try to keep the attention of the reader. Also, you learn to research, and to conduct an interview - to extract from the person whatever you need from that person.
The passing of my accountant, Mary Coleman, who was the first person I shouted out on 'In Memory of...' was particularly devastating for me. She was beyond my accountant. She was my mother away from home.
As a child, my mother would read to me late into the night. I didn't enjoy it at the time but she always used to say that the inheritance she was going to leave us was a good education.
Aunt Lovey used to tell me that if I wanted to be a writer, I needed a writer's voice. 'Read,' she'd say, 'and if you have a writer's voice, one day it will shout out, 'I can do that too!
My mother was the most amazing person. She taught me to be kind to other women. She believed in family. She was with my father from the first day they met. All that I am, she taught me.
You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.
I loved Cookie [Mueller]. She was a much better writer than actress. She shouldn't have stuck with me in the beginning; she should have immediately become a writer. She would have had more of a chance.
I suppose she chose me because she knew my name; as I read the alphabet a faint line appeared between her eyebrows, and after making me read most of My First Reader and the stock-market quotations from The Mobile Register aloud, she discovered that I was literate and looked at me with more than faint distaste. Miss Caroline told me to tell my father not to teach me any more, it would interfere with my reading.
Then my mother shocked me. She said, " All those things that you want from your relationship, Liz? I have always wanted those things too." [She] showed me the handful of bullets she'd had to bite over the decades in order to stay happily married (and she was happily married...) to my father. "You have to understand how little I was raised to expect that I desired in life, honey. Remember- I come from a different time and place... and you have to understand how much I love your father.
When I did the first 'Matrix,' after it came out, I had a woman come up to me and just thank me for Trinity because she was an action writer. She said she was getting really good opportunities now.
When we were arguing on my twenty-fourth birthday, she left the kitchen, came back with a pistol, and fired it at me five times from right across the table. But she missed. It wasn't my life she was after. It was more. She wanted to eat my heart and be lost in the desert with what she'd done, she wanted to fall on her knees and give birth from it, she wanted to hurt me as only a child can be hurt by its mother.
I'm very objective about what I want to have happen to my protagonists and where that has to come from. On one hand, it does help me that I had a mother who might have taken the last dollar and bought a pack of cigarettes or something, but I also had a mother who exposed me to art, music, other religions, different foods. My mother was very adventurous in her own way, so she fed the part of me that was going to grow up to be a writer. But there's always, too, the opposite response that helps me to create.
I never liked my father. He really was a dullard and misanthrope. My mother and he were married for 22, years and it was an ill match. She encouraged me to be a writer. She opened her home to black friends, and this was the 1950s. She didn't care later when I write about her.
I always say that comedians and actors were all kind of shy when they were young. I was very, believe it or not, kind of embarrassed as a child. But my mother was a very strong lady and she was the one that kept it going when I thought it would be over for me as a performer. She was always my inspiration and she was a big influence on me.
I was always pretty organized in high school and my mother, she always pushed me to just overachieve, both my parents. (They) let me know education is key and without it nowadays, you probably wouldn't be able to get a good job or have a decent living.
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