A Quote by Judy Blume

When I started to write, it was the '70s, and throughout that decade, we didn't have any problems with book challenges or censorship. — © Judy Blume
When I started to write, it was the '70s, and throughout that decade, we didn't have any problems with book challenges or censorship.
A lot of things we take for granted sprang out of the 70s; it was a decade for thought and if a decade can be a mentor, then the 70s was mine.
I hadn't published a book of poetry in over a decade because I've been very ill. As I got better and started to write, I said, 'Wow, even as an old woman, I could have a selected book of poems.'
Racism plagued America throughout the '60s, into the '70s, through the '80s; it continued in the '90s and in the first decade of the new millennium; and it persists today.
I started to read my first book at about the age of six. I started to write a book simultaneously. Not to compete, just to augment. And that's how one starts. Or I started.
I believe in any kid's ability to read any book and form their own judgements. It's the job of a parent to guide his/her child through the reading of every book imaginable. Censorship of any form punishes curiosity.
A dreary censorship, and self-censorship, has been imposed on books by the centralization of the book industry.
But my favorite period for actors is the 70s. I think so many great movies were made in the 70s. The 90s just seem to be a confused decade. Nobody knows, really, what's going on.
I often put any project I write in a different decade just to roll the thought around in my head. There's a thriller I've written that I think would be nice to set in the '70s or '80s, just to take cell phones away from the movie. There's nothing like the piercing ring of an old-school telephone to really scare an audience.
The '70s was a decade that was crammed with prominent women science fiction writers, and a lot of women made their debut in that decade or really came to prominence.
I thought, if I write a book that is not a retelling of Pride and Prejudice, it's not going to mean that I will not get any criticism. I might as well write the book that I want to write.
I believe that, more than anything else, this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness, therefore, is key. I can't write the book I want to write, but I can and will write the book I am capable of writing. Again and again throughout the course of my life I will forgive myself.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
When you write a book, and you argue a problem is complicated and multidimensional, it's very easy to read a slice of that book and say, 'Well, this is the part that either confirms or really challenges my biases, so that's what I'm going to say the entire book is about.'
Every book has got its challenges. You run into a plot point that you can't figure out, or a scene that you struggle to write and have to write 50 times.
always had the thought I could attract abundance. When I wrote the book Your Erroneous Zones back in the '70s, I absolutely knew the book was going to do well, but it wasn't a goal at all. I just went out there and started doing something I really loved.
I know that many writers have had to write under censorship and yet produced good novels; for instance, Cervantes wrote Don Quixote under Catholic censorship.
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