A Quote by Judy Blume

I don't think I could set a book in a place without knowing it really well. — © Judy Blume
I don't think I could set a book in a place without knowing it really well.
I don't think you could function on set if you think like that. I think once you start to think of the impact, then you're not really coming from a truthful place. I think the best thing to do for me is what's worked in the past.
I began writing books after speaking for several years and I realize that when you have a written book people think that you're smarter than you really are if I can joke. But it's interesting. People will buy your book and hire you without reading the book just because you have a book and you have a book on a subject that they think is of interest to themselves or e to their company.
It was very satisfying knowing I could come in not really knowing what I was going to do, and at the end of the session feeling that I'd really done interesting guitar work and knowing that I'd really contributed to the music.
I love anything that really pushes the envelope as far as where it takes your mind. When it's well written and brings you into a world that possibly could be, I think that's the most entertaining for me - to see something that could actually take place and causes you to think.
If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.
While writing, I'm always so happy in the middle of a book or finishing a book and really hate starting them, so I often think, 'I wish I had a really big book to write to which I could devote seven years of my life.'
I don't think I've ever had love at first sight. I am somebody who starts to do something, and I keep on doing it without knowing if I like it or not. At some point I realize, "You know, I really like this," and it could be music; it could be anything. I like to embrace life like that.
When television is good, nothing - not the theater, not the magazines or newspapers - nothing is better. But when television is bad, nothing is worse. I invite each of you to sit down in front of your television set when your station goes on the air and stay there for a day without a book, without a magazine, without a newspaper, without a profit and loss sheet or a rating book to distract you. Keep your eyes glued to that set until the station signs off. I can assure you that what you will observe is a vast wasteland.
I knew I wasn't the person to play Ponyboy because I'm a girl, but without knowing it, I understand that was a place I could put all the stuff that I was feeling.
Playing those one-dimensional characters is actually really difficult because you're not dealing with somebody you would ever really know. I don't think anybody here could imagine actually knowing Cindy Campbell from 'Scary Movies.' So, in a way, your job is so much easier when you're playing a person that you really understand and that seems very relatable. I think I was coming to a place in my career where I was like, "I'd like to do something a little more rewarding."
What goes through one's head when Disney asked for 52 more shows? I remember seeing that in the supplemental features...When they first said "52" I literally laughed, I thought they were kidding. They said, "Well, how many do you think could do?" And I said, "Well, we've got 6 scripts in the works, so 6 obviously we could do. We did 13 last year, I think we could do 13 this year without a problem." I said, "If we really pushed it, I think we could do 18." And they said, "What about 52?" I started laughing but they were serious and eventually they did get the 52 episode order.
When a man stands on the verge of seventy-two you know perfectly well that he never reached that place without knowing what this life is - heartbreaking bereavement.
A visionary is someone who can see the future, or thinks he sees the future. In my case, I use it and it comes out right. That doesn't come from daydreams or dreams, but it comes from knowing the market and knowing the world and knowing people really well and knowing where they're going to be tomorrow.
I think you keep two sets of books. In one set, you record the truth -- how well you are really doing. This is the secret set -- just for you and loved ones. In the other set are more modest entries and statements, and these are for public consumption!
I feel as though I've gotten to a point where I don't really want to set a book in any real place ever again.
Part of knowing how to think is knowing how the laws of nature shape the world around us. Without that knowledge, without that capacity to think, you can easily become a victim of people who seek to take advantage of you.
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