A Quote by Judy Blundell

When a family breaks you don't hear the crack of the breaking. You don't hear a sound. — © Judy Blundell
When a family breaks you don't hear the crack of the breaking. You don't hear a sound.
that crack of the bat against a ball has been my mantra, a sound I hear in desperate moments, at times when I crave total satisfaction, a sound I hear over and over when I want something very badly but can't express what it is.
We all know that much of what we hear in life is not really so. Canned laughter and 'sweetened' applause have been TV staples for decades, and all the slamming doors, breaking glass and squealing tires you hear in movies are sound effects.
Now I will do nothing but listen to accrue what I hear into this song. To let sounds contribute toward it. I hear the sound I love. The sound of the human voice. I hear all sounds running together.
I like to hear the sound of form, and I like to hear the sound of it breaking.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
Every now and then, when you're on stage, you hear the best sound a player can hear. It's a sound you can't get in movies or in television. It is the sound of a wonderful, deep silence that means you've hit them where they live.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
When you go out and audition, you're going to hear a lot of 'No's.' As weird as it may sound, you almost have to love hearing 'no' because you're going to hear it way more than you hear 'yes'.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
I've always worked at the piano; I like to hear what I'm doing, I like the sound, to hear the actual sound. I get bored just looking at a manuscript.
You seldom listen to me, and when you do you don't hear, and when you do hear you hear wrong, and even when you hear right you change it so fast that it's never the same.
You hear as many things as you would imagine. I hear voices of people I loved once. I hear moments that took place. I hear silences.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
The streams with softest sound are flowing, The grass you almost hear it growing, You hear it now, if e'er you can.
You can't hear a word and just hear it as raw sound; it always evokes an associated meaning and emotion in the brain.
When you hear the sound of the Hyperloop One, you hear the sound of the future.
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