A Quote by Judy Chicago
With my early work I got eviscerated by my male professors, and so you learned to disguise your impulses, as many women have done. And that's definitely changed.
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With my early work I got eviscerated by my male professors, and so you learned to disguise your impulses, as many women have done. And thats definitely changed.
People think that because you might have a feeling toward another male that you don't enjoy women. I love women. I love being around them. But when we'd go out together, we'd kind of almost go out in disguise. Not in disguise, but in a baseball cap and sunglasses.
In my suffrage work, I learned beyond question that the news coming through the great press agencies was colored and distorted; and if this has been done on one subject, it has doubtless been done on others. A good many women, I think, learned a wholesome distrust of press reports during the suffrage struggle.
It is the most powerful submission in the sport. It is a beautiful thing. You're holding them into you, their back is on you, and you are basically choking them gradually like a boa constrictor and once you've got them, the pressure goes on and they have to submit or they are going to stop breathing. It happened to me early in my career, and I panicked, and gave in, I tapped out too early. I learned a lot from that. I learned from it, learned how to do the move better, learned how to avoid it being done to me.
The male establishment power structure has not really changed its attitude towards women. They did not give these rights to women out of kindness. These rights were fought for by many highly evolved women who cared about the lives of their daughters and granddaughters.
The possibility that stock value in aggregate can become irrationally high is contrary to the hard-form "efficient market" theory that many of you once learned as gospel from your mistaken professors of yore. Your mistaken professors were too much influenced by "rational man" models of human behavior from economics and too little by "foolish man" models from psychology and real-world experience.
One thing I've always been taught at the defensive end is you hit first. In life, you throw the first punch; you don't get punched first. It's the same on defense: You've got to hit first. Do your work early. That's what I was always taught. If you don't do your work early, you're done.
The image of women's football has definitely changed. Now we've got to make sure it keeps developing.
In the academic world, most of the work that is done is clerical. A lot of the work done by professors is routine.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
Definitely, India is a male-dominated country. Our films and society are also male-dominated and will always be. But its backbone will always be women because women give strength.
I learned to live many years ago. Something really, really bad happened to me, something that changed my life in ways that, if I had my druthers, it would never have been changed at all. What I learned from it is that today seems to be the hardest lesson of all. I learned to love the journey, not the destination. I learned that it is not a dress rehearsal, and that today is the only guarantee you get. I learned to look at all the good in the world and to try to give some of it back because I believed in it completely and utterly.
You got to keep all your weaknesses away, and my weakness is women. I love women too much. Which has definitely road-blocked me. I just try my best to channel my energy to other things and remain focused while making my work as fun as everything else.
Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women - women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in - older women and younger men.
I have a philosophy, a belief, which I can see in many, many other directors that your early work is your best work, because you don't know what you're doing.
There is no greater way to ensure that universities remain a hotbed of leftist thought than to guarantee that professors knight their own successors. But that's basically how the Ph.D. system works, with sitting professors approving the work of would-be professors.
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