A Quote by Judy Collins

I don't think you get to good writing unless you expose yourself and your feelings. — © Judy Collins
I don't think you get to good writing unless you expose yourself and your feelings.
I don't think you get to good writing unless you expose yourself and your feelings. Deep songs don't come from the surface; they come from the deep down. The poetry and the songs that you are suppose to write, I believe are in your heart.
Your feelings are cosmic communication! The good feelings mean, GOOD FOR YOU. The bad feelings are to get your attention so that you will change what you are focusing on.
It is important to acknowledge all your feelings and not beat yourself up for having them. Your feelings are not good or bad, they just are.
I think the more you expose yourself as a celebrity, the less interesting you are to watch in your work, because if you're putting yourself out there all the time, you're not holding anything back.
People who are open about their own faults, especially, often want to ferret out "inner feelings" beneath the surface and expose any falsehood, and they think that it's in their inner feelings that the truth lies. But I don't think that's the truth.
God and the universe said to me one day, "You're only going to get what's good for you." That's kind of how I try to look at things. Isn't that true, when you look back at things? "Ooh, I'm glad I didn't get that!" You get more philosophical when you get older, with the more life experiences you have. But I don't have any bad feelings towards anybody that was ever involved in any of that stuff, because I don't think that people usually set out to hurt you. I think that hurt is all manufactured by yourself and your expectations.
Feelings are your guide. Trust your feelings and learn to express them, and do not blame anyone for how you feel. Be yourself, observe yourself. Look to understand any crisis you have been in or will be in.
I think that whether you've just begun writing or whether you've been writing for fifty years - I mean, I'm excited to get there and tell you about it when I do - I think that there's always the challenge of believing in yourself enough to get the work done and not being so taken with yourself that you're unwilling to continue to work on the work.
I think if you're writing a play, it should be its own end game; you'll never get to do a good one unless you know it's not a blueprint for a film; you're not going to get the action right and the story right.
People will tell you that writing is too difficult, that it's impossible to get your work published, that you might as well hang yourself. Meanwhile, they'll keep writing and you'll have hanged yourself.
It's good to overexpose yourself with work. But don't expose yourself too much with the press.
There's so much of this thing now, where you're supposed to do all the work before you get the commission. I think it's really good to try to resist that. If you just have a week to come up with a pitch for something, your ideas aren't going to be very good. Get your income from somewhere else, and keep your writing not tied into these contracts.
At the core of all human behavior, the good feelings we all want are more or less the same. Therefore, what we get out of life is not determined by the good feelings we desire but by what bad feelings we're willing to sustain.
If a tiny spark of God's love already burns within you, do not expose it to the wind, for it may get blown out.... Stay quiet with God. Do not spend your time in useless chatter.... Do not give yourself to others so completely that you have nothing left for yourself.
What I think is important about essayists, about the essay as opposed to a lot of personal writing is that the material has to be presented in a processed way. I'm just not interested in writing, "Hey, this is what happened to me today." You get to a place that has very little to do with your personal experience and talks about some larger idea or something in the culture. I don't think you can get to that unless you have had a lot of time to gestate and maybe if I was taking a lot of notes while stuff was going on, I wouldn't be able to get to that place as easily.
You have to be willing to expose yourself, at least to yourself, to get to some kind of truth about a character.
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