A Quote by Judy Collins
I don't think you get to good writing unless you expose yourself and your feelings. Deep songs don't come from the surface; they come from the deep down. The poetry and the songs that you are suppose to write, I believe are in your heart.
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The poetry and the songs that you are suppose to write, I believe are in your heart. You just have to open up your heart and not be afraid to get them out.
I don't think you get to good writing unless you expose yourself and your feelings.
When it comes down to the song writing, I'm just very slow - very slow. Because the songs are about my life, so I'm doing emotional work on myself. As I'm writing these songs, I have to learn these lessons and dig real deep into my heart to write this stuff.
I think if you listen to our records, they come at different points in your life. When people say to me that Stars records have themes, I think what they mean is we write songs - or try to write songs - that are timeless. We try to write songs that catch you at the right time in your life, and that you can hold on to. We write kitchen sink songs. If you're doing the dishes or you're driving to your mom's funeral, or if you're getting over having done MDMA and you feel sad, you can listen to Stars because we're not going to demand of you that you be cool.
I always come from a female perspective and a strong music base, trying to keep a positive slant on things. It's important for you to do what you love and not let anyone bring you down, and I keep that message throughout. I like writing songs all females can relate to - songs about when you're a chick and you get your heart broken and you go shopping.
I enjoy writing songs that could have been written before [my time]. When I feel like I'm tapping into a deep vein in the body of American music, it gives me strength as a writer, like I'm dipping my pen into a deep ink well. That's the folk music tradition. Like Pete Seeger said, 'Everyone's a link in the chain.' It's a strong chain, so rely on it. ... I believe it takes all those great songs in the past to make your song even a little bit good.
I've just really been into melody and lyrics and songwriting. Writing a rap, to me, is easy. I could write a rap like that. But writing songs and melodies and s**t that's hopefully going to stick around for 30, 40 years is f**king hard...If you have good songs and you're talented, people will eventually come to your shows, people will buy your music.
When I was younger it was a lot of quantity over quality. Just writing, writing, writing. Hundreds of songs. Now it's fewer songs. If I write 10 songs I believe 80 percent of them are good and gonna be used.
You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
Most people think in order to validate yourself as an artist, you have to write your own songs. I commend the guys that do. I've done it. But I also think that you can pick great songs outside that you didn't write that can help your career.
You see, writing down your meanderings gets something started deep in the recesses of your brain. That distant part of your mind knows that you want to write stories or poems or plays and not endless jabber, and it will get to work. It may take a while. You may have to write this stuff for hours or days or weeks, but eventually that subterranean part of your brain will come through and begin to send you ideas.
Don't ever write just for a trend or fad, because it's a moving target, and by the time you get your work out there, the trend or fad is gone. Dig deep; don't be afraid to write fiercely. Expose your heart.
The best songs that I write usually come in, like, two minutes, and I think a lot of songwriters would probably say those kind of songs that come just like that are the good ones.
It's a good job when you get to have fans come up to you and thank you for writing your songs.
I don't dream songs. I'm more apt to write dreams down and then to be able to interpret them into a song. I also tend to get up and write prose in the morning from which will come songs.
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