A Quote by Judy Collins
I have tried, in all the ways I can, to make timeless music.
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Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.
I don't make summer jams or albums based on time or seasons; my goal is to make quality music, timeless music. I'm not looking at the calendar.
When you make timeless music - and I like to think that's what I'm doing - the fun part is picking the songs. You can clip and flop and mix and match, and when the record is timeless and it feels good, you know it's going to have the same appeal whether you put it out now or 10 years from now. That's what I'm about.
It was important for the first piece of original music that I release to have a timeless feel because that's the type of music I want to make.
When you go back and really listen to the legendary rappers, this is timeless music. Guys like Biggie, guys like Pac, timeless music.
I don't know about timeless. I actually think most of what I do is completely modern, but universally modern. Who decides what timeless even means? Are the things that we consider timeless now going to, in fact, be considered timeless in 300 years? Probably not.
That's what I've tried to do: I've tried to make music that I really love.
We tried to make music that had a very diverse collection of genres - jazz, pop, Latin, even the blues. We tried to have a gumbo soup of expressions. We wanted to create music that would have people dive into a pool of artistic beauty and feel good. And I think we have been really blessed.
I make a timeless music. I think I've made my mark as a lyricist and as an innovator and as a tastemaker.
'Free Bird' is timeless, 'Sweet Home' is timeless. They're just timeless songs.
I wanted to make something that sounded very pure, organic, and personal. I wanted to make music that was timeless.
I couldn't make ends meet. I tried Red Lobster. I tried Wal-Mart. I tried all these places and I couldn't make it. I couldn't. So, I tried this gentlemen's club, and, you know, I worked there, and it was just awful in those places. It was terrible.
I like to make music from a personal standpoint, and the music that feels good to me, and when the music becomes big, it's even better because it's an even more organic feeling than when you, like, tried to make the hit record.
When I listen to music, there's usually some aspect of that music that I like, and that's what I take and try to bring into my own music. Bringing in other musicians to collaborate with is a good way for me to test out new ways or make music that I might have not discovered on my own.
The ways of the mind are ancient, but you are timeless
I really do seek to create music that is timeless, ... Each project takes on its own life, and the songs from A Time To Love are the most appropriate for the statement I wanted to make.
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