A Quote by Judy Collins
I sang in the coffee houses of the country in the early '60s with no idea of success in terms of records or television. I just thought I was a storyteller. I didn't even think of myself as a singer.
Related Quotes
I sang in the coffee houses . . . in the early 60's with no idea of success in terms of records or television. I just thought I was a storyteller. I had this deep, bassy voice. But I had incredible passion for the music I was singing.
I sang in the glee club and church choir, but I never sang a solo. I never thought of myself as a singer, and that might have crossed your mind, too.
Whether or not I considered myself a country singer, when I sang a country song, I was as good as anybody.
When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
After college, rather than pursue real work, I joined a folk group and sang in coffee houses and nightclubs, an occupation that does little for the intellect and even less for the complexion.
I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.
When I finally put my guitar in the case the last time, I want to be remembered just as a singer, not as a country singer or pops singer - just a singer.
I feel like I'm really accomplishing something with harmony and melody. Ultimately, again, I'm not a singer, some people can sing with an "I" or an "a," some people can sing and they can sang. I think I can "sang" more than anything. I'm not a formal singer and I'm an MC, but it's secondary to the second nature of just melody. You know but ultimately I'm a writer and I do soul music. Whether it's in song form or rhyme scheme, it's soul.
I definitely always wanted to be a singer and a performer. I think I got it from my parents because my dad's a singer and my mom's a singer, so it kind of runs in the family and I just thought it was normal.
Working with Robert, Robert [Elswit] is a storyteller. He's not a cinematographer, he's a storyteller. And to me, that's the graduation I hope to get to in my profession. That I'm not just an actor, I'm a storyteller. And I think that takes a long time in, when you have one job on a movie set. Makeup artists, actor, whatever. To graduate from just that to storyteller.
Luther Vandross was a musician who sang. So after a while he was also the number one background singer in New York, so he would sing for Bette Midler, he sang on "Fame," he sang for David Bowie, he sang for - whoever needed backgrounds, he would arrange the parts and hook your record up. He also sang on commercials. McDonald's, Budweiser.
When I was in high school, I was a bad singer. I mean, all my early acting was musical theater, and my first ever show was 'Jesus Christ Superstar.' Everyone's familiar with it. I played priest number 3 and sang so out of tune that it's not even funny.
During the '60s, I think, people forgot what emotions were supposed to be. And I don't think they've ever remembered. I think that once you see emotions from a certain angle you can never think of them as real again. That's what more or less has happened to me. I don't really know if I was ever capable of love, but after the '60s I never thought in terms of 'love' again.
It is not that I don't like contemporary country music because I do. I love it. I have recorded a lot and have had great success recording records that have not been very traditional country records.
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
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