A Quote by Judy Davis

My Brilliant Career was beautifully directed, but I had a bit of trouble with myself in it. It was a silly script, based on a book this 16-year-old girl wrote. — © Judy Davis
My Brilliant Career was beautifully directed, but I had a bit of trouble with myself in it. It was a silly script, based on a book this 16-year-old girl wrote.
Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.
I was a 16-year-old girl at one point, so of course I wrote poetry.
I've always sang a little like a 16-year-old girl, but even Ann-Margret stopped after a while and brought it down a bit.
It's true. somewhere inside us we are all the ages we have ever been. We're the 3 year old who got bit by the dog. We're the 6 year old our mother lost track of at the mall. We're the 10 year old who get tickled till we wet our pants. We're the 13 year old shy kid with zits. We're the 16 year old no one asked to the prom, and so on. We walk around in the bodies of adults until someone presses the right button and summons up one of those kids.
I signed with a club when I was 12. I started living by myself at 14. I turned pro at 16. I grew up playing nothing but point guard, and suddenly, I was a 16-year-old small forward matched up against 35-year-old men.
I wrote 'Zeuglodon' on a whim. I found myself writing the voice of an 11-year-old girl. I don't know why.
I think back on that day when 16-year-old me scribbled on some silly piece of paper for some long-forgotten high school career-day project that my dream job was 'romance novelist.'
At 16, I got housing benefit, and I had my own flat in an old woman's house. I was the only 16-year-old I knew living alone.
The script [of Regression] wasn't the draw for me. It was largely Alejandro [Amenabar] and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.
Whether it's a 16-year old girl, or a mom, or a guy, or anybody, as long as they come up and they're excited to meet me 'cause they've had some sort of relationship with something I've created, it's the coolest thing ever. It never gets old. It's awesome.
Now I have the voice of a 16-year-old. I'm looking for a doctor who could give me the body of a 16-year-old.
You could do math early, but there are no brilliant 16-year-old novelists. They don't know the human condition yet.
I've never been a 16-year-old girl.
I think that every man has a 16-year-old girl inside of him.
The quality of the work when I was 16... I've had my issues with it, but I've learned to forgive myself because I was 16 years old.
You know what's the worst? Being a 16 year old girl who loves a famous Singer, not solely for his looks, but because you truly believe he is talented and devoted and you agree deeply with his message. Because no matter how intelligently and fully you can express that, people will assume you're just a silly teenager who thinks a famous guy is cute.
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