A Quote by Judy Garland
I truly have a great love for an audience, and I used to want to prove it to them by giving them blood.
Related Quotes
A really great reception makes me feel like I have a great big warm heating pad all over me. People en masse have always been wonderful to me. I truly have a great love for an audience, and I used to want to prove it to them by giving them blood.
If you truly want to be respected by people you love, you must prove to them that you can survive without them.
People en masse have always been wonderful to me. I truly have a great love for an audience...I want to give them two hours of just pow.
In all my documentaries, I have great respect for the people I work with. Really, I love them. And it's very important for me that when I finish a movie, they stay my friends. It's important that they won't feel that I in any way manipulated them or showed them in a bad light. I want to show them in all their reality - not as subjects but as people with flesh and blood - but I want to do this with all my respect.
If you want to liberate someone, love them.Not be in love with them - that's dangerous. If you're in love with your children, you're in their lives all the time. Leave them alone! Let them grow and make some mistakes. Tell them, "You can come home. My arms are here - and my mouth is too." When you really love them, you don't want to possess them. You don't say, "I love you and I want you here with me."
If you can't do great things, Mother Teresa used to say, do little things with great love. If you can't do them with great love, do them with a little love. If you can't do them with a little love, do them anyway.
Love grows when people serve.
A great show means we have to connect; we have to prove to [the audience] that we do something great or blow their socks off, but it has to be with them if it's going to be sustained for any length of time.
You want to give me chocolate and flowers? That would be great. I love them both. I just don't want them out of guilt, and I don't want them if you're not going to give them to all the people who helped mother our children.
Maybe my work isn't a cry for help. It may just be a baby's need to cry or a dog's need to bark. You know, barks that seem connected to phantom noises and cries that just come; though a baby's cries are usually efficient - something is bothering them. Anyway, I think giving money is a sign of love. If you truly want to help someone, a lot of times giving them money is the best thing you can do.
I love dipping into worlds at a fast and furious pace. A little glimpse allows the audience to put together the rest of that world in their brain. I love sketches that require the audience to piece together the comedic engine themselves. Give them all the information but not tell them what the scene is about so they can have that eureka moment of, "Oh my God, he's only used to the way urban students pronounce their names. That's what's going on here.".
I used to want to be a children's writer, because I would have all these great ideas when I was little, and I'd write them and draw them, and turn them into class.
When you want to teach children to think, you begin by treating them seriously when they are little, giving them responsibilities, talking to them candidly, providing privacy and solitude for them, and making them readers and thinkers of significant thoughts from the beginning. That’s if you want to teach them to think.
I just love that Free the Slaves does such a great job of gathering communities, gathering people together, and giving them the information, arming them, educating them. That's how we're going to change the world.
When you have kids, you just love them. It's similar to when you're in love with someone. You just think they are so cool and want to be around them all the time, but what if she starts being embarrassed and only giving me charity visits? I want her to actually want to see me, so that's what I'm going for!
Both me and Edgar are firm believers in never underestimating or talking down to an audience, and giving an audience something to do, to give them something which is entirely up to them to enter into the film and find these hidden things and whatever.
It's a great thing that the United States has given the rest of the world - no other country has given such great popular music to the Far East and Europe. When I play those great countries, a lot of times, the audience starts singing the songs with me. They know them. They love them.
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