A Quote by Judy Garland

In our house, the word of Louis B. Mayer became the law. — © Judy Garland
In our house, the word of Louis B. Mayer became the law.
Louis B. Mayer and I got along like a house afire. He never chased me around his desk or tried anything with me. Of course, he never gave me any good parts, either.
When you look at every studio in the '20s or '30s, from Louis B. Mayer to Jack Warner, you see people who started with one plan and quickly shifted gears to adapt to a changing world. One of my favorite stories is that Walt Disney mortgaged his house to make 'Snow White.' He saw there was a real opportunity to change the world.
I was one of the horses of the Louis B. Mayer stable, and I thought the films I was given after my Academy Awards were not worthy.
Louis B. Mayer once looked at me and said, "You will never get the girl at the end." So I worked on my acting.
Locked together in hatred. But I can't hate you Louis. Louis my love, I was mortal till you gave me your immortal kiss. You became my mother, and my father, and so I'm yours forever. But now it's time to end it, Louis. Now it's time to leave him.
Louis B. Mayer came out west with $28.00, a box camera and an old lion. He built a monument to himself -- the Bank of America.
Many people are target people. Once when Louis B. Mayer insulted me I poured a glass of water over his head.
The heads of the studios, like Louis B. Mayer, didn't want to create any more musical stars. So Bobby [Fosse] left and went to New York City to be a choreographer, and created brilliant work.
I didn't get the degree because in my last year, for my thesis film I made a feature called Permanent Vacation and they'd given me a scholarship, the Louis B Mayer fellowship and they made a mistake.
This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.
Box-office poison? Mr. Louis B. Mayer always asserted that the studio had built Stage 22, Stage 24 and the Irving Thalberg Building, brick by brick, from the income on my pictures.
In our system of government, the president is not supposed to be above the law. He is not a king; his word is not the law.
We're not children here. The law is-how should I put it? A convenience. Or a convenience for some people, and an inconvenience for other people. Like, take the law that says you can't go into someone else's houseI have a house, so, hey, I like that law. The guy without a house-what's he think of it? Stay out in the rain, schnook.That’s what the law means to him
In my family, my fat family, none of us ever say the word 'fat.' 'Fat' is the word you hear shouted on the playground or in the street - it's never allowed over the threshold of the house. My mum won't have that filth in her house. At home together, we are safe. ... There will be no harm to our feelings here because we never acknowledge fat exists. We never refer to our size. We are the elephants in the room.
I got a job at Metro and went in to see Louis Mayer, who told me he wanted me to be a producer. I said I wanted to write and direct. He said, "No, you have to produce first, you have to crawl before you can walk." Which is as good a definition of producing as I ever heard.
There is but one law for all, namely that law which governs all law, the law of our Creator, the law of humanity, justice, equity - the law of nature and of nations.
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