A Quote by Judy Garland
I've seen the ticket, and I still can't believe it. When I see the money, I hope I don't hit the floor.
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I remember once I went to go see a movie, and in front of me in line there was a little boy who looked so eager to see it, like it was Christmas morning. When he got to the ticket booth it turned out there was only one ticket left; the manager was there and wanted to give it to me instead since I was famous. That's when I knew I'd hit it big.
I've been through the ups and downs and had a lot of different things go on. But the one thing I believe is that when fans bought a ticket to see me fight, they got their money's worth every time. I never cheated them. I gave them what they came to see.
We've seen the bankruptcy of many newspapers. We've seen a further erosion of the line between news and entertainment. But I do believe that there is reason to hope that over time we will see the higher-quality journalism rise to the surface.
And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn't matter. That all that does is that I want to see the worst
So Stephanie.. you wanna say let the bodies hit the floor... I would say... let the boobies hit the floor!
It's the same when you listen to any kind of successful athlete. My older brother has a useful name for them - he calls them lottery ticket careers. I are engaged in what he calls these lottery ticket careers. On the one hand it's very, very unlikely that you're ever going to hit it. On the other hand if you do hit it, you really hit it. You have to be engaged with it, though, maybe you're entire life. And if you never actually do hit it? You kind of jovially lie yourself along the way and recognize that it may produce things outside the hitting it kinds of goods, I suppose.
I don't believe in ghosts and have never seen one. I wish I could see one, and I would like to have seen one because then I could believe in God. If I can see it, feel it and taste it, then I believe in it.
I still believe in old school values, I still believe in hard work, I still believe in wrestling, and people have showed that's what they want to see.
I was 16 at the time, and I came backstage and started hanging out with them. I said, "Well, maybe you can 'vanish' the silk this way." The opening was a black stage while the "Magic to Do" song started playing. All you saw were hands, lit by Jules Fisher, and then Ben Vereen would appear beyond the hands, and at the end of the scene he would vanish a silk. The spotlight would hit a red spot on the floor where you'd see the silk on the floor. He'd pull the silk out of the floor and it became the entire set coming out of the floor.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
Perhaps you have to have a little bit of hope to believe that beauty can be found, to believe that life does come back, that something can surprise you. And maybe hope and wonder are somehow related. Maybe wonder feeds hope and hope feeds wonder. You see something beautiful and it reminds you that it's possible to see something beautiful.
When I hit the dance floor, I hit the dance floor pretty hard!
I have no problem if you bought a Justin Timberlake ticket and you decide to go sell that ticket to somebody. We would first and foremost want to make sure that the first ticket sold, that the fan has a shot to buy that ticket.
I know there's a CSI game. I've never seen it, though, so I'm not really sure. I hope it's interesting. I hope that they've done a good job making it, but because I've never seen it, the jury is still out on whether it's interesting or not. But it is funny to imagine that it's been turned into a game.
I remember my first year, I hit him with three good punches and couldn't believe he was still standing. He hit me with one and cracked my helmet. My head hurt for a week.
Improv is always seen as something that's funny, but worth a $5 ticket, $10 at most. I think ISC is one of those shows that is worth a real ticket price. It's hard-hitting and great and different every time.
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