A Quote by Judy Geeson

Oh, I loved John Wayne. He was just so charming and easy to work with. — © Judy Geeson
Oh, I loved John Wayne. He was just so charming and easy to work with.
You're not going to be able to look like anyone else, no matter how hard you try, unless you're a mimic, then you're not acting, you're just mimicking. You can't go on being John Wayne, that's John Wayne. So you're not going to steal from John Wayne. I'm not going to steal from John Wayne and you're not going to come back and say 'Didn't you get that from the circus?' You know. But he is one of those people who instructs me, whom I look up to - whom I think is one of the masters of his craft that I am so enamoured of.
I never have really become accustomed to the 'John.' Nobody ever really calls me John... I've always been Duke or Marion or John Wayne. It's a name that goes well together, and it's like one word - John Wayne.
John Wayne is not just an actor, and a very fine actor - John Wayne is the United States of America.
When you're a young boy, you're looking at older men for role modelling. Before I loved De Niro, I loved Clint Eastwood; I loved John Wayne. And James Bond.
When you get old the worst thing is you lose so many friends. Burt Lancaster, Frank Sinatra, John Wayne. People who I loved to work with.
I definitely remember doing 'The Alamo' with John Wayne and Lawrence Harvey and Linda Cristal. We'd work six days a week, and then John Wayne would invite us down to a little place in Texas called Del Rio, and we would break bread and have some wine and tell stories.
John loved celebrity. We attended an American Film Institute dinner honoring James Cagney, and the room was filled with famous actors like Mae West, Kirk Douglas, John Wayne and Steve McQueen. John was like a kid in a candy store.
Although it wasn't that easy to do, it was wonderful working with John Wayne.
So I live in Los Angeles, and it's kind of a goofy place. They have an airport named after John Wayne. That ought to explain it. It has a charming kind of superstitious innocence.
We [with John Logan] started talking about The Searchers, and then he went on to tell me a story about when he first met John Wayne, and he said, "Hey, you be me and I'll be Wayne," and I said, "No, let me be Wayne!" Anyway, it was a very pleasant conversation, it was clear to him that I was a big movie fan, and by the time I got home, there was a phone call, asking if I'd mind doing one scene in the movie [The Aviator].
Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable.
A lot of people, especially comedians, just feel like, 'Oh, I can be charming and whatever, and have fun, and everybody is just going to like me.' But you've got to work. There's got to be a real work ethic that gets you better.
In a black-and-white world, back in the '50s, were voices from another era. All actors used to sound different. Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable. They were like men's voices, but they weren't Everyman, it was them.
When did Jimmy Stewart not play Jimmy Stewart? When did John Wayne not play John Wayne? But that's what we like about them. When you talk about acting, you really have to respond to somebody's personality.
Two of the great leaders of the past - Booker T. Washington and Frederick Douglass - had White fathers - who deserted them. Now Margo Jefferson, who is hard on me and the fellas, wrote in the Times that she has nocturnal, erotic fantasies about John Wayne. What's up with these feminists? Do you see these double standards these feminists have? They dream about John Wayne, but they're hard on us [Black men].
I guess John Wayne would be one. I just respected the way he acted.
This site uses cookies to ensure you get the best experience. More info...
Got it!