A Quote by Judy Gold
Many comics stay in one city and develop their acts for that particular audience.
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When you're drawing comics, you get very involved in how the story is going to develop and you spend more time daydreaming on that particular subject.
Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great.
If Portland can truly have a true comics show that doesn't become a media show but retains its focus on comics, I think it's going to serve the city well. If this becomes a big show, it's going to bring in a lot of money for the city.
The lovely thing about writing comics for so many years is that comics is a medium that is mistaken for a genre. It's not that there are not genres within comics, but because comics tend to be regarded as a genre in itself, content becomes secondary; as long as I was doing a comic, people would pick it up.
The citizens of a city are not guilty of the crimes committed in their city; but they are guilty as participants in the destiny of [humanity] as a whole and in the destiny of their city in particular; for their acts in which freedom was united with destiny have contributed to the destiny in which they participate. They are guilty, not of committing the crimes of which their group is accused, but of contributing to the destiny in which these crimes happened.
In life, things do not always stay the same. There are certain alchemies that marry together at particular moments in particular places with particular people.
When I was a small child, I partially learned to read with comics, in particular with 'Scamp,' about the Lady and the Tramp's male child. That was the prime comic that made me fall in love with comics as a kid.
If you think how many female comics there are compared to how many male comics there are, I think there are quite a few female comics on the TV.
There are a lot of rules in cities that were designed to protect a particular incumbent, but not to move a city's constituents, a city's citizens, and the city itself, forward. And that's a problem.
I was going to be a storybook illustrator or an editorial illustrator. I ended up in a comics class by mistake because all the others were full, so I was like 'I'll stay for one class, and then I'll go take something else, because I don't care about comics.' I got pulled in really fast; I discovered I had a voice in comics that I didn't know I had.
In general, I feel so much of pop culture is set in the generic big city, particularly comics. I feel like there are so many other stories to tell.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
Dichotomies are an inherent part of comics, aren't they? Comics are both pictures and words. They blend time and space. Many feature characters with dual identities like Bruce Wayne/Batman. Cartoonists also tend to live dichotomous lives because many of us have day jobs.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
I think of people as members of an audience. But an audience acts independently of every individual. It's an organism on its own. I focus on that living hydra in the dark.
All acts suppose certain dispositions, and habits of mind and heart, which may be in themselves states of enjoyment or of wretchedness, and which must be fruitful in other consequences besides those particular acts.
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