A Quote by Judy Greer

I think that it's just extremely rare to see any kind of TV show that's completely written by one person, regardless of what any showrunner will tell you. — © Judy Greer
I think that it's just extremely rare to see any kind of TV show that's completely written by one person, regardless of what any showrunner will tell you.
I fall asleep on the couch in front of the TV. It's very rare that I see the end of any show.
In the movies, you typically do get to see the script beforehand. TV is different because there are a lot of scripts in the future that you haven't seen. You commit to a show, and you have to believe in the showrunner and their team and the stories they're going to tell.
Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.
The magic to our show and, I think, any successful show, be it on the radio or TV, is every person being true to themselves.
Whenever you show up on a set where you haven't been from the beginning - at least myself - I'm kind of quiet. I just watch the politics and how everything unfolds. It's kind of like going to a new high school. You want to see who everyone is before you introduce yourself, really, to kind of make friends. I think any smart person does that in social situations
As any showrunner will tell you, it is crushing work. It is around the clock. It is like a monastic commitment that you make.
You can't really compare any TV show to a show written by Aaron Sorkin.
A "showrunner" as a position is a relatively new thing. It used to be the executive producer. That's not true anymore. Now it's evolved into this model where people look to showrunners and say, that guy is that show. It's just become a lot more interesting to know the showrunner and to get a sense of that person.
I absolutely believe that people should show respect to everybody, regardless of their lifestyle, regardless of their beliefs, religious beliefs or any other kind of belief.
I think that a lot of actors of color have said that it's a wonderful thing to play a role that doesn't have a race and that is kind of open to any sort of interpretation. I completely understand that, but at the same time, I just want Asian characters that are well-written.
When you're out there trying to still figure things out, it can just slow things down. So you have to kind of think on your feet, and it makes it kind of fun and exciting and challenging at the same time. But more time is always better for any movie. I think any director would probably tell you that. Any filmmaker, really.
I don't think I ever had any relationship with any showrunner, over time, with whom I didn't have conflict.
I am a person that is very curious about what is going on in the world and there are a lot of subjects to write about, you meet a lot of interesting people. But one idea will be there and it will show up without any logic. It is a book that has been written in my heart before it is written into sentences.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way. Uta Hagen said this, "In my life, I see myself as just this, you know, kind of flamboyant, kind of sexy middle-aged woman. And then I see myself onscreen, and I go 'Oh my God.'" And it's the same thing with me. I didn't see myself any different from my white counterparts in school. I just didn't!
I think no one but me has the right to write about my life as I want to write it in a particular way. I don't think any other person will be able to tell the story of my life like how I have approached it. It works best when it's written by someone who has experienced it herself.
I feel like if you know any women who's an essayist or a writer or a public speaker or just a public person, and they have any presence at all in any kind of social media, or any place where men can voice at them, you have to be pretty amazed at the level of special provocation and sort of violent speech and misogyny that comes at them. Any woman that's really in the public sphere has experienced this. It's kind of shocking how universal it is.
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