A Quote by Judy Greer
I like working in television because it's an evolving story that you tell. That's also one of the things I don't like about it, too. Because sometimes it's hard, and just when I think I've nailed something, it changes or we have to change it or change the joke or the character is evolving in a way that I don't have control over.
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Working with Lasse Hallstroem was like a rollercoaster, because he doesn't have one specific vision. It changes daily, or it's always evolving.
I think what I'm trying to build is a reputation for evolving and for change. Because of the rate of information that we have access to at this point, it's almost hard not to be ever-growing.
I've always had some sort of affinity for the ends of things. It depends on the song, I try to explore it in different ways. Sometimes when I think about death I'm thinking of it as a physical character that can teach you things and sometimes I'm thinking of it in a finite sense and other times I'm just asking questions that I can't answer. I don't really like to state my personal belief, because I change my mind too often, but I imagine something peaceful. Whether it's a rest or another world or some kind of eternity, it doesn't seem like a scary thing.
Those who do not have power over the story that dominates their lives, power to retell it, to rethink it, deconstruct it, joke about it, and change it as times change, truly are powerless, because they cannot think new thoughts.
Television is such an evolving medium. When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
A lot of people think that they are really cool because they don't outline. In my writing group, they would say, "I will never outline. I let the characters take me." C'mon, man - I outline the story, but it's only like one page. It's a list of possible reversals in the story, like things where everything will just change because of this certain reveal or this certain action. Then I start really digging into the character because, to me, I don't care what the story is.
At the very end, without memory we are nothing. The things you say; the way you feel; the way you act in certain situations... it's because you have a memory of something. Imagine we are building the biggest, most solid room that we could ever have. And sometimes you need to work on it, because thoughts turn into memories. Sometimes they will start to create dreams and realities, and what actually happened changes inside yourself during the years. I think that's how to preserve reality; we change it so it stays alive. The thoughts may change, but the feeling remains.
'Friday Night Lights' was kind of like my college years because I did four seasons of that. It was my first series. It was the most time I had with one character, and kind of growing and evolving with the character over that long of a span of time, it just allows you to sort of learn in a completely different way that I had never experienced.
None of the actor methods ever discussed what it would be like to play a character on film for over a decade, and what it must be like to return to a character and imagine the time off-screen, which is interesting. There's something as an actor that I enjoy about evolving characters.
Does character develop over time? In novels, of course it does: otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change, we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that character peaks a little later: between twenty and thirty, say. And after that, we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also - if this isn't too grand a word - our tragedy.
This is life. Our bodies change. Our minds change. Our hearts change. Things are always evolving. I hope we can be supportive of each other and try to really have each other's backs, especially when we don't know the whole story.
Climate has always changed. It always has and always will. Sea level has always changed. Ice sheets come and go. Life always changes. Extinctions of life are normal. Planet Earth is dynamic and evolving. Climate changes are cyclical and random. Through the eyes of a geologist, I would be really concerned if there were no change to Earth over time. In the light of large rapid natural climate changes, just how much do humans really change climate?
I think people were a little nervous to work with me to start with, because the movies I've done they thought that I wouldn't be able to control myself at all. I'd have to blow up the cars or something like that, and I think also people are scared of working sometimes with feature directors, because they feel like you're not going to listen to their opinions.
I was talking to my publisher, Jamie Ceretta, who's one of my closest confidants and allies when I'm working on new music. I feel like I can always count on his judgement because he'll tell me if he doesn't like something. It's sometimes hard to get people to tell you if they don't like something.
When I developed the Ultimate Warrior character and kept evolving the character, I knew, there was no question that it would work because it was working.
Sometimes a poem appeals to me technically, just because of the way a line feels on my lips. Sometimes it is because it says something I have felt, or sometimes something that I suddenly recognise. Other times it can change the way I see something.
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