A Quote by Judy Holliday

It's tough when take 1 is technically okay and take 2 has better acting. Out here (Hollywood) they print the first one. That's the one where we all hit the mark on the floor and who cares about the acting.
I know that if I'd had to go and take an exam for acting, I wouldn't have got anywhere. You don't take exams for acting, you take your courage.
Acting is technically just lying, so I guess I've been acting since I was about 7.
At times some people use force or fraud to take from others without willful, voluntary consent. Normally, the initiation of force to take life is murder, to take liberty is slavery, and to take property is theft. It is the same whether these actions are done by one person acting alone, by the many acting against a few, or even by officials with fine hats and titles.
Acting in something that I'm directing... I'm really enjoying it because, if for no other reason, that particular acting is like reading my mind on every single take. It's kind of efficient, for better or worse.
I don't have any theories about acting, and I don't think about how to do it, except that an actor shouldn't take himself too seriously, and shouldn't try to make acting something it isn't.
I always had a thought about acting but it never seemed practical to take it as an option because I do not have acting or theatre background.
I was applying to the art school, but there was a checklist that said I had to do either production design or stage management or acting. I thought, "I don't want to be an actor, but I know production and stage management take acting classes" - this is literally my internal monologue. I was like, "Designers don't have to take acting classes. Cool. I'll check that box".
Being a Kapoor, acting is genetic. My sister paved the way for me when she became the first Kapoor girl to take up acting.
Every director should take an acting class. At least one. You know, you panic with actors. It's like, "Okay, this is back in college, I know how to talk to these guys. I know their vocabulary, and I get what they're saying back to me." So basically to learn the vernacular of acting, that's very important.
I had done a lot of indie movies before I realized that acting could be a way for me to get my family out of poverty. It was at that point that I decided to take acting seriously.
When we went to see the first rough cuts of 'Merry Christmas, Mr Lawrence,' I fell to the floor because my acting was so bad. I wrote music to compensate for my bad acting.
This acting is going to leave my stain. Not just my mark, because you can wipe a mark off. But a stain: it's going to take a whole lot to get that out, and that's how I'm going to leave my stain on this world.
I take my fun very seriously, whether it's playing the drums or acting in comedy bits. The need to be disciplined about it, and not take it lightly, and not be too casual, is something I take deeply to heart.
I'd also take any acting job...well, not any acting job, that's not true. I'd take a cool acting job.
For better or worse, I take my acting seriously. I may not have been in the best movies ever made, but I take it deathly serious, and I love being an actor.
I started acting as an amateur when I was a kid, but I wanted to become a diplomat. It was self-centered and weird, but I had this idea of going out in the world and solving conflicts and making the world a better place. But I kept on acting, and eventually, I just dropped out of school and continued acting.
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