A Quote by Judy Horacek

I'm not interested in showing a politician falling over; it's about the issue and making people think differently about that. — © Judy Horacek
I'm not interested in showing a politician falling over; it's about the issue and making people think differently about that.
When we think about Islamic feminism, it is not just about women's rights. It's about a more progressive and tolerant expression of Islam in the world for all people. Women's rights is one aspect of it, it's not the end-all, but I also think that the women's issue is the strongest entry point that we've got to challenging extremism. You raise a woman's issue and you get the backs of the conservatives up against the wall faster than just about any other issue in our community. It's the fastest path that we've got to making change happen.
I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
Maybe tonight you're scared of falling, and maybe there's somebody here or somewhere else you're thinking about, worrying over, fretting over, trying to figure out if you want to fall, or how and when you're gonna land, and i gotta tell you, friends, to stop thinking about the landing, because it's all about falling.
You have to think about space differently; you have to think about time differently when you're talking about a graphic novel versus a movie.
The people in the decision-making positions need to be thinking differently about who to hire, and looking more unsparingly at their choices. Why give this person a break over that person? Why give this person a second chance over that person? I do think that's where gender comes into play.
I think people make certain assumptions about what they're interested in reading or what others would be interested in reading, and when they think of poor black people in the South, they don't think people are interested in reading about those people.
I regretted making a comment about Dave Eggers. I’ve never said anything about McSweeneys except that I admire what it is, and I think it’s great that they keep people interested in literature.
I am always interested in affecting people in some way, making them think about particular areas of history that they have never thought about or that they may have thought about in one way and then changing their view.
I just want to tell stories that are meaningful and have inspiration to them; people can watch it and take away something, or maybe they'll just think about themselves differently or think about the world differently. I just want to create characters that live on.
I think I'm one of five people in the Senate who's never been a politician before. And now that I am a politician, what I find weird about it is that I respect myself less.
I have spent my life falling. Not the kind that Tiny's talking about. He's talking about love. I'm talking about life. In my kind of falling, there's no landing. There's only hitting the ground. Hard. Dead, or wanting to be dead. So the whole time you're falling, it's the worst feeling in the world. Because you feel you have no control over it. Because you know how it ends.
When you are talking about moral issues you are talking about same-sex marriage, which has been relegated over to the states. It's no longer a federal issue and yet, we are dealing with it like it's a federal issue but for a large degree it has become a state issue.
When we think about the issues that matter, obviously the news covers immigration, a lot. You might think immigration is the only story that actually affects us but when you poll Latinos you'll see that education is the number one topic that they're interested in talking about and economy is the second issue.
People like to say that my work is about making the invisible visible, but that's a misunderstanding. It's about showing what invisibility looks like.
I just want to tell stories that are meaningful and have inspiration to them; people can watch it and take away something or maybe they'll just think about themselves differently, or thing about the world differently. I just want to create characters that live on.
I think you think that phone sex is about getting the caller off, but it's about keeping the caller on. It's about leading with your personality and making sure that they're still listening to you and that they're still interested in you because you cannot make money when they hang up.
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